TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Parry, Katy
AU  - Aiello, Giorgia
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/777
AB  - The 2010 Belgrade Pride Parade represents a critical moment in the story of Serbia's democratisation process and highlights the threat that right-wing extremism poses to democratic rights and personal freedoms. Through a focus on patterns of visibility and visuality in the coverage of different protagonists in the streets of Belgrade, we explore the ways in which distinct communities perform their affinities, their right to be seen in public spaces, and rejection of 'the other'. We conduct a visual framing analysis across four news programmes (RTS, Prva TV, TV B92 and Pink TV), emphasising the stylistic-semiotic choices which work to construct the contested spaces of the city. In shifting attention to how the news images work to create the spaces of political 'appearance' and the potentials for political agency through mediated visibility, the article explores the uneasy ambivalence of the democratisation process for authorities and the resulting marginalisation of the lesbian, gay, bisexual and transgender community in news coverage.
PB  - Sage Publications Ltd, London
T2  - European Journal of Cultural Studies
T1  - Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage
EP  - 183
IS  - 2
SP  - 165
VL  - 23
DO  - 10.1177/1367549417743042
ER  - 

@article{
author = "Krstić, Aleksandra and Parry, Katy and Aiello, Giorgia",
year = "2020",
abstract = "The 2010 Belgrade Pride Parade represents a critical moment in the story of Serbia's democratisation process and highlights the threat that right-wing extremism poses to democratic rights and personal freedoms. Through a focus on patterns of visibility and visuality in the coverage of different protagonists in the streets of Belgrade, we explore the ways in which distinct communities perform their affinities, their right to be seen in public spaces, and rejection of 'the other'. We conduct a visual framing analysis across four news programmes (RTS, Prva TV, TV B92 and Pink TV), emphasising the stylistic-semiotic choices which work to construct the contested spaces of the city. In shifting attention to how the news images work to create the spaces of political 'appearance' and the potentials for political agency through mediated visibility, the article explores the uneasy ambivalence of the democratisation process for authorities and the resulting marginalisation of the lesbian, gay, bisexual and transgender community in news coverage.",
publisher = "Sage Publications Ltd, London",
journal = "European Journal of Cultural Studies",
title = "Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage",
pages = "183-165",
number = "2",
volume = "23",
doi = "10.1177/1367549417743042"
}

Krstić, A., Parry, K.,& Aiello, G.. (2020). Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage. in European Journal of Cultural Studies
Sage Publications Ltd, London., 23(2), 165-183.
https://doi.org/10.1177/1367549417743042

Krstić A, Parry K, Aiello G. Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage. in European Journal of Cultural Studies. 2020;23(2):165-183.
doi:10.1177/1367549417743042 .

Krstić, Aleksandra, Parry, Katy, Aiello, Giorgia, "Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage" in European Journal of Cultural Studies, 23, no. 2 (2020):165-183,
https://doi.org/10.1177/1367549417743042 . .

TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Aiello, Giorgia
AU  - Vladisavljević, Nebojša
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/771
AB  - This article examines how political cartoons reflected and mobilized resistance to growing authoritarianism and the personalization of power in contemporary Serbia. The focus is on the work of Dusan Petricic, the most influential political cartoonist in Serbia, which was published in daily Politika and weekly NIN between 2012 and 2017. Petricic's cartoons offer interesting insights into a dramatic decline of press freedom and the rise of authoritarian personalist rule in terms of both their content and political impact. The authors draw on quantitative content analysis and qualitative multimodal analysis to examine the key representational and stylistic features of Petricic's cartoons, both as a way to understand the relationship between his aesthetics and his political statements, and in order to critically assess some of the ways in which democratization conflicts may be expressed visually. Their analysis also draws on evidence from an in-depth interview with the author. In combining a systematic analysis of key visual patterns across a sample of cartoons with a comprehensive evaluation of how both visual and linguistic features work together to promote anti-authoritarian ideals and resistance, the article offers a framework to understand the political import of aesthetics in Serbia's democratization process.
PB  - Sage Publications Ltd, London
T2  - Media War and Conflict
T1  - Visual metaphor and authoritarianism in Serbian political cartoons
EP  - 49
IS  - 1
SP  - 27
VL  - 13
DO  - 10.1177/1750635219856549
ER  - 

@article{
author = "Krstić, Aleksandra and Aiello, Giorgia and Vladisavljević, Nebojša",
year = "2020",
abstract = "This article examines how political cartoons reflected and mobilized resistance to growing authoritarianism and the personalization of power in contemporary Serbia. The focus is on the work of Dusan Petricic, the most influential political cartoonist in Serbia, which was published in daily Politika and weekly NIN between 2012 and 2017. Petricic's cartoons offer interesting insights into a dramatic decline of press freedom and the rise of authoritarian personalist rule in terms of both their content and political impact. The authors draw on quantitative content analysis and qualitative multimodal analysis to examine the key representational and stylistic features of Petricic's cartoons, both as a way to understand the relationship between his aesthetics and his political statements, and in order to critically assess some of the ways in which democratization conflicts may be expressed visually. Their analysis also draws on evidence from an in-depth interview with the author. In combining a systematic analysis of key visual patterns across a sample of cartoons with a comprehensive evaluation of how both visual and linguistic features work together to promote anti-authoritarian ideals and resistance, the article offers a framework to understand the political import of aesthetics in Serbia's democratization process.",
publisher = "Sage Publications Ltd, London",
journal = "Media War and Conflict",
title = "Visual metaphor and authoritarianism in Serbian political cartoons",
pages = "49-27",
number = "1",
volume = "13",
doi = "10.1177/1750635219856549"
}

Krstić, A., Aiello, G.,& Vladisavljević, N.. (2020). Visual metaphor and authoritarianism in Serbian political cartoons. in Media War and Conflict
Sage Publications Ltd, London., 13(1), 27-49.
https://doi.org/10.1177/1750635219856549

Krstić A, Aiello G, Vladisavljević N. Visual metaphor and authoritarianism in Serbian political cartoons. in Media War and Conflict. 2020;13(1):27-49.
doi:10.1177/1750635219856549 .

Krstić, Aleksandra, Aiello, Giorgia, Vladisavljević, Nebojša, "Visual metaphor and authoritarianism in Serbian political cartoons" in Media War and Conflict, 13, no. 1 (2020):27-49,
https://doi.org/10.1177/1750635219856549 . .