This work is supported by the Ministry of Science, Technological Development and Innovation Republic of Serbia [grant number 451-03-47/2023-01 from 17 January 2023].

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This work is supported by the Ministry of Science, Technological Development and Innovation Republic of Serbia [grant number 451-03-47/2023-01 from 17 January 2023].

Authors

Publications

The tram to the 21st century and other stories: Belgrade public transport between technology and politics

Damnjanović, Ivana

(New York : Association for Computing Machinery, 2023)

TY  - CONF
AU  - Damnjanović, Ivana
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1151
AB  - This paper investigates the development of Belgrade public transport system, and issues arising therefrom, through the lens of two concepts developed by scholars from the field of science, technology, and society: relevant social groups and sociotechnical imaginaries. Both concepts were conceived in order to explain and adequately theorize ways in which society and technology shape each other, with special emphasis on the political aspects of this process. Rather than trying to explain the entire history of the system, the paper will focus on several points of controversy during the 20th and 21st centuries. The main aim of the paper is to show, through these examples, that the proposed conceptual framework could be useful for understanding complex sociotechnical systems such as public transport.
PB  - New York : Association for Computing Machinery
C3  - CEEeGov '23: Proceedings of the Central and Eastern European eDem and eGov Days 2023
T1  - The tram to the 21st century and other stories: Belgrade public transport between technology and politics
EP  - 14
SP  - 8
DO  - 10.1145/3603304.3603348
ER  - 
@conference{
author = "Damnjanović, Ivana",
year = "2023",
abstract = "This paper investigates the development of Belgrade public transport system, and issues arising therefrom, through the lens of two concepts developed by scholars from the field of science, technology, and society: relevant social groups and sociotechnical imaginaries. Both concepts were conceived in order to explain and adequately theorize ways in which society and technology shape each other, with special emphasis on the political aspects of this process. Rather than trying to explain the entire history of the system, the paper will focus on several points of controversy during the 20th and 21st centuries. The main aim of the paper is to show, through these examples, that the proposed conceptual framework could be useful for understanding complex sociotechnical systems such as public transport.",
publisher = "New York : Association for Computing Machinery",
journal = "CEEeGov '23: Proceedings of the Central and Eastern European eDem and eGov Days 2023",
title = "The tram to the 21st century and other stories: Belgrade public transport between technology and politics",
pages = "14-8",
doi = "10.1145/3603304.3603348"
}
Damnjanović, I.. (2023). The tram to the 21st century and other stories: Belgrade public transport between technology and politics. in CEEeGov '23: Proceedings of the Central and Eastern European eDem and eGov Days 2023
New York : Association for Computing Machinery., 8-14.
https://doi.org/10.1145/3603304.3603348
Damnjanović I. The tram to the 21st century and other stories: Belgrade public transport between technology and politics. in CEEeGov '23: Proceedings of the Central and Eastern European eDem and eGov Days 2023. 2023;:8-14.
doi:10.1145/3603304.3603348 .
Damnjanović, Ivana, "The tram to the 21st century and other stories: Belgrade public transport between technology and politics" in CEEeGov '23: Proceedings of the Central and Eastern European eDem and eGov Days 2023 (2023):8-14,
https://doi.org/10.1145/3603304.3603348 . .

Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture

Damnjanović, Ivana

(Katowice : Uniwersytet Śląski, 2023)

TY  - JOUR
AU  - Damnjanović, Ivana
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1148
AB  - The Culture series created by Scottish author Iain (M.) Banks con-sists of nine novels, one novella and a couple of short stories situated in the same fictional universe. The eponymous Culture is a space-faring (and space-dwelling) civilization, a conglomeration of several humanoid species and sentient machines, most intellectually powerful beings called The Minds. Technological advances made the Culture a post-scarcity society focused on the maximization of personal freedom. The character of its socio-political structure, however, is somewhat unclear. Based on the differences between its internal and external politics, scholars have mostly placed the Culture within the categories of Utopia and Empire. This is, as the present paper argues, a false dilemma since the Culture is simultaneously both and neither of those. The main argument is that the truly adequate label for the political complexities of the Culture civilization was coined only after the untimely death of the author himself – around 2015, when the far (or, some would say, radical) left activists on the Internet coined the phrase Fully Automated Luxury Gay Space Communism. Using both writings of Marx and Engels on the features of communism and Ollman’s systematization of these features, I will try to show that this is indeed the case.
PB  - Katowice : Uniwersytet Śląski
T2  - Śląskie Studia Polonistyczne
T1  - Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture
EP  - 17
IS  - 1
SP  - 1
VL  - 21
DO  - 10.31261/SSP.2023.21.10
ER  - 
@article{
author = "Damnjanović, Ivana",
year = "2023",
abstract = "The Culture series created by Scottish author Iain (M.) Banks con-sists of nine novels, one novella and a couple of short stories situated in the same fictional universe. The eponymous Culture is a space-faring (and space-dwelling) civilization, a conglomeration of several humanoid species and sentient machines, most intellectually powerful beings called The Minds. Technological advances made the Culture a post-scarcity society focused on the maximization of personal freedom. The character of its socio-political structure, however, is somewhat unclear. Based on the differences between its internal and external politics, scholars have mostly placed the Culture within the categories of Utopia and Empire. This is, as the present paper argues, a false dilemma since the Culture is simultaneously both and neither of those. The main argument is that the truly adequate label for the political complexities of the Culture civilization was coined only after the untimely death of the author himself – around 2015, when the far (or, some would say, radical) left activists on the Internet coined the phrase Fully Automated Luxury Gay Space Communism. Using both writings of Marx and Engels on the features of communism and Ollman’s systematization of these features, I will try to show that this is indeed the case.",
publisher = "Katowice : Uniwersytet Śląski",
journal = "Śląskie Studia Polonistyczne",
title = "Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture",
pages = "17-1",
number = "1",
volume = "21",
doi = "10.31261/SSP.2023.21.10"
}
Damnjanović, I.. (2023). Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture. in Śląskie Studia Polonistyczne
Katowice : Uniwersytet Śląski., 21(1), 1-17.
https://doi.org/10.31261/SSP.2023.21.10
Damnjanović I. Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture. in Śląskie Studia Polonistyczne. 2023;21(1):1-17.
doi:10.31261/SSP.2023.21.10 .
Damnjanović, Ivana, "Fully Automated Luxury Gay Space Communism: The Case of Iain M. Banks’ Culture" in Śląskie Studia Polonistyczne, 21, no. 1 (2023):1-17,
https://doi.org/10.31261/SSP.2023.21.10 . .