Abstract
This paper presents an analysis of a Blind Concert held in Belgrade. In a Blind Concert performance, the concept of “space” transforms not for the sake of transformation itself, but because of the effect it strives to achieve. This eliminates the predominance of an institution of art dictating how a musical work should be approached. Accompanying the interpretation of piano compositions, the vocalist let out screams, voices, and noises, which, one may say, could not be summoned inside us, because they have yet to be articulated. I will articulate the effects of the desired transitional forms that have remained trapped and unrepresented in social standardization in terms of Badiou’s inaesthetics.
Keywords:
performing art / Blind Concert / affirming resistance / institution of art / inaesthetics
Source:
AM Journal of Art and Media Studies, 2015, 7, 71-76
Publisher:
Faculty of Media and Communications, Singidunum University, Belgrade, Serbia
TY - JOUR
AU - Milović, Nataša S.
PY - 2015
UR - http://rfpn.fpn.bg.ac.rs/handle/123456789/905
AB - Abstract
This paper presents an analysis of a Blind Concert held in Belgrade. In a Blind Concert performance, the concept of “space” transforms not for the sake of transformation itself, but because of the effect it strives to achieve. This eliminates the predominance of an institution of art dictating how a musical work should be approached. Accompanying the interpretation of piano compositions, the vocalist let out screams, voices, and noises, which, one may say, could not be summoned inside us, because they have yet to be articulated. I will articulate the effects of the desired transitional forms that have remained trapped and unrepresented in social standardization in terms of Badiou’s inaesthetics.
PB - Faculty of Media and Communications, Singidunum University, Belgrade, Serbia
T2 - AM Journal of Art and Media Studies
T1 - Blind Concert: The World and Its Transformation through Music
EP - 76
IS - 7
SP - 71
DO - 10.25038/am.v0i7.91
ER -
@article{
author = "Milović, Nataša S.",
year = "2015",
abstract = "Abstract
This paper presents an analysis of a Blind Concert held in Belgrade. In a Blind Concert performance, the concept of “space” transforms not for the sake of transformation itself, but because of the effect it strives to achieve. This eliminates the predominance of an institution of art dictating how a musical work should be approached. Accompanying the interpretation of piano compositions, the vocalist let out screams, voices, and noises, which, one may say, could not be summoned inside us, because they have yet to be articulated. I will articulate the effects of the desired transitional forms that have remained trapped and unrepresented in social standardization in terms of Badiou’s inaesthetics.",
publisher = "Faculty of Media and Communications, Singidunum University, Belgrade, Serbia",
journal = "AM Journal of Art and Media Studies",
title = "Blind Concert: The World and Its Transformation through Music",
pages = "76-71",
number = "7",
doi = "10.25038/am.v0i7.91"
}
Milović, N. S.. (2015). Blind Concert: The World and Its Transformation through Music. in AM Journal of Art and Media Studies
Faculty of Media and Communications, Singidunum University, Belgrade, Serbia.(7), 71-76.
https://doi.org/10.25038/am.v0i7.91
Milović NS. Blind Concert: The World and Its Transformation through Music. in AM Journal of Art and Media Studies. 2015;(7):71-76.
doi:10.25038/am.v0i7.91 .
Milović, Nataša S., "Blind Concert: The World and Its Transformation through Music" in AM Journal of Art and Media Studies, no. 7 (2015):71-76,
https://doi.org/10.25038/am.v0i7.91 . .
