TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Vladisavljević, Nebojša
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1140
AB  - We explored links between competitive authoritarianism and populism in Serbia under Vučić via mixed
methods. We conducted a quantitative content analysis of 228 political cartoons (2013–2017) by Dušan
Petričić, a leading cartoonist and government critic, and qualitative visual and contextual analysis of
four cartoons that reflected key themes—media freedom violations, unfair political competition, and
populist and abusive rule. We found that populism appeared as the ‘soft’ face of competitive
authoritarianism, tolerable to domestic audiences and acceptable to influential international actors
because of its reliance on more informal and sophisticated and less repressive forms of authoritarian
manipulation.
PB  - London : Routledge Taylor & Francis
T2  - Europe-Asia Studies
T1  - Competitive Authoritarianism and Populism in Serbia Under Vučić in Political Cartoons
EP  - 1452
IS  - 9
SP  - 1429
VL  - 75
DO  - 10.1080/09668136.2022.2149700
ER  - 

@article{
author = "Krstić, Aleksandra and Vladisavljević, Nebojša",
year = "2023",
abstract = "We explored links between competitive authoritarianism and populism in Serbia under Vučić via mixed
methods. We conducted a quantitative content analysis of 228 political cartoons (2013–2017) by Dušan
Petričić, a leading cartoonist and government critic, and qualitative visual and contextual analysis of
four cartoons that reflected key themes—media freedom violations, unfair political competition, and
populist and abusive rule. We found that populism appeared as the ‘soft’ face of competitive
authoritarianism, tolerable to domestic audiences and acceptable to influential international actors
because of its reliance on more informal and sophisticated and less repressive forms of authoritarian
manipulation.",
publisher = "London : Routledge Taylor & Francis",
journal = "Europe-Asia Studies",
title = "Competitive Authoritarianism and Populism in Serbia Under Vučić in Political Cartoons",
pages = "1452-1429",
number = "9",
volume = "75",
doi = "10.1080/09668136.2022.2149700"
}

Krstić, A.,& Vladisavljević, N.. (2023). Competitive Authoritarianism and Populism in Serbia Under Vučić in Political Cartoons. in Europe-Asia Studies
London : Routledge Taylor & Francis., 75(9), 1429-1452.
https://doi.org/10.1080/09668136.2022.2149700

Krstić A, Vladisavljević N. Competitive Authoritarianism and Populism in Serbia Under Vučić in Political Cartoons. in Europe-Asia Studies. 2023;75(9):1429-1452.
doi:10.1080/09668136.2022.2149700 .

Krstić, Aleksandra, Vladisavljević, Nebojša, "Competitive Authoritarianism and Populism in Serbia Under Vučić in Political Cartoons" in Europe-Asia Studies, 75, no. 9 (2023):1429-1452,
https://doi.org/10.1080/09668136.2022.2149700 . .

TY  - JOUR
AU  - Mellado, Claudia
AU  - Márquez-Ramírez2, Mireya
AU  - Van Leuven, Sarah
AU  - Jackson, Daniel
AU  - Mothes, Cornelia
AU  - Arcila-Calderón, Carlos
AU  - Berthaut, Jérome
AU  - Blanchett, Nicole
AU  - Boudana, Sandrine
AU  - Y. N. Chen, Katherine
AU  - Davydov, Sergey
AU  - De Maio, Mariana
AU  - Fahmy, Nagwa
AU  - Ferrero, Martina
AU  - Garcés, Miguel
AU  - Hagen, Lutz
AU  - Hallin, Daniel C.
AU  - Humanes, María Luisa
AU  - Himma-Kadakas, Marju
AU  - Keel, Guido
AU  - Kozman, Claudia
AU  - Lecheler, Sophie
AU  - Lee, Misook
AU  - I-Hsuan Lin, Christi
AU  - Mazzoni, Marco
AU  - McGuinness, Kieran
AU  - McIntyre, Karen
AU  - Mick, Jacques
AU  - Navarro, Cristina
AU  - Olivera, Dasniel
AU  - Pizarro, Marcela
AU  - Silke, Henry
AU  - Skjerdal, Terje
AU  - Stępińska, Agnieszka
AU  - Szabó, Gabriella
AU  - Viveros Aguilar, Diana
AU  - Krstić, Aleksandra
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1139
AB  - Studies suggest that, at the routine level, news beats function as unique “microcultures.”
Exploring this “particularist” approach in news content, we compare how
the interventionist, watchdog, loyal, service, infotainment, and civic roles materialize
across 11 thematic news beats and analyze the moderating effect of platforms,
ownership, and levels of political freedom on journalistic role performance in hard
and soft news. Based on the second wave of the Journalistic Role Performance (JRP)
project, this article reports the findings of a content analysis of 148,474 news items
from 37 countries. Our results reveal the transversality of interventionism, the
strong associations of some topics and roles, and the limited reach of news beat
particularism in the face of moderating variables.
PB  - Thousand Oaks : SAGE
T2  - Journalism & Mass Communication Quarterly
T1  - Comparing Journalistic Role Performance Across Thematic Beats: A 37-Country Study
EP  - 30
SP  - 1
DO  - 10.1177/10776990231173890
ER  - 

@article{
author = "Mellado, Claudia and Márquez-Ramírez2, Mireya and Van Leuven, Sarah and Jackson, Daniel and Mothes, Cornelia and Arcila-Calderón, Carlos and Berthaut, Jérome and Blanchett, Nicole and Boudana, Sandrine and Y. N. Chen, Katherine and Davydov, Sergey and De Maio, Mariana and Fahmy, Nagwa and Ferrero, Martina and Garcés, Miguel and Hagen, Lutz and Hallin, Daniel C. and Humanes, María Luisa and Himma-Kadakas, Marju and Keel, Guido and Kozman, Claudia and Lecheler, Sophie and Lee, Misook and I-Hsuan Lin, Christi and Mazzoni, Marco and McGuinness, Kieran and McIntyre, Karen and Mick, Jacques and Navarro, Cristina and Olivera, Dasniel and Pizarro, Marcela and Silke, Henry and Skjerdal, Terje and Stępińska, Agnieszka and Szabó, Gabriella and Viveros Aguilar, Diana and Krstić, Aleksandra",
year = "2023",
abstract = "Studies suggest that, at the routine level, news beats function as unique “microcultures.”
Exploring this “particularist” approach in news content, we compare how
the interventionist, watchdog, loyal, service, infotainment, and civic roles materialize
across 11 thematic news beats and analyze the moderating effect of platforms,
ownership, and levels of political freedom on journalistic role performance in hard
and soft news. Based on the second wave of the Journalistic Role Performance (JRP)
project, this article reports the findings of a content analysis of 148,474 news items
from 37 countries. Our results reveal the transversality of interventionism, the
strong associations of some topics and roles, and the limited reach of news beat
particularism in the face of moderating variables.",
publisher = "Thousand Oaks : SAGE",
journal = "Journalism & Mass Communication Quarterly",
title = "Comparing Journalistic Role Performance Across Thematic Beats: A 37-Country Study",
pages = "30-1",
doi = "10.1177/10776990231173890"
}

Mellado, C., Márquez-Ramírez2, M., Van Leuven, S., Jackson, D., Mothes, C., Arcila-Calderón, C., Berthaut, J., Blanchett, N., Boudana, S., Y. N. Chen, K., Davydov, S., De Maio, M., Fahmy, N., Ferrero, M., Garcés, M., Hagen, L., Hallin, D. C., Humanes, M. L., Himma-Kadakas, M., Keel, G., Kozman, C., Lecheler, S., Lee, M., I-Hsuan Lin, C., Mazzoni, M., McGuinness, K., McIntyre, K., Mick, J., Navarro, C., Olivera, D., Pizarro, M., Silke, H., Skjerdal, T., Stępińska, A., Szabó, G., Viveros Aguilar, D.,& Krstić, A.. (2023). Comparing Journalistic Role Performance Across Thematic Beats: A 37-Country Study. in Journalism & Mass Communication Quarterly
Thousand Oaks : SAGE., 1-30.
https://doi.org/10.1177/10776990231173890

Mellado C, Márquez-Ramírez2 M, Van Leuven S, Jackson D, Mothes C, Arcila-Calderón C, Berthaut J, Blanchett N, Boudana S, Y. N. Chen K, Davydov S, De Maio M, Fahmy N, Ferrero M, Garcés M, Hagen L, Hallin DC, Humanes ML, Himma-Kadakas M, Keel G, Kozman C, Lecheler S, Lee M, I-Hsuan Lin C, Mazzoni M, McGuinness K, McIntyre K, Mick J, Navarro C, Olivera D, Pizarro M, Silke H, Skjerdal T, Stępińska A, Szabó G, Viveros Aguilar D, Krstić A. Comparing Journalistic Role Performance Across Thematic Beats: A 37-Country Study. in Journalism & Mass Communication Quarterly. 2023;:1-30.
doi:10.1177/10776990231173890 .

Mellado, Claudia, Márquez-Ramírez2, Mireya, Van Leuven, Sarah, Jackson, Daniel, Mothes, Cornelia, Arcila-Calderón, Carlos, Berthaut, Jérome, Blanchett, Nicole, Boudana, Sandrine, Y. N. Chen, Katherine, Davydov, Sergey, De Maio, Mariana, Fahmy, Nagwa, Ferrero, Martina, Garcés, Miguel, Hagen, Lutz, Hallin, Daniel C., Humanes, María Luisa, Himma-Kadakas, Marju, Keel, Guido, Kozman, Claudia, Lecheler, Sophie, Lee, Misook, I-Hsuan Lin, Christi, Mazzoni, Marco, McGuinness, Kieran, McIntyre, Karen, Mick, Jacques, Navarro, Cristina, Olivera, Dasniel, Pizarro, Marcela, Silke, Henry, Skjerdal, Terje, Stępińska, Agnieszka, Szabó, Gabriella, Viveros Aguilar, Diana, Krstić, Aleksandra, "Comparing Journalistic Role Performance Across Thematic Beats: A 37-Country Study" in Journalism & Mass Communication Quarterly (2023):1-30,
https://doi.org/10.1177/10776990231173890 . .

TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Jović, Nikola
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1137
AB  - U ovom radu predstavljamo rezultate i uvide iz kvantitativnog i kvalitativnog istraživanja sa
novinarima u Republici Srbiji o digitalnom nasilju kojem su izloženi. Istraživačko pitanje na
koje pokušavamo da damo odgovor odnosi se na to kako se na digitalno nasilje odgovara i
reaguje na ličnom-profesionalnom nivou pojedinačnog novinara, a kako na digitalno nasilje
i ugrožavanje bezbednosti novinara reaguje sistem, kako medijski, tako i pravno-institucionalni.
Osnovna hipoteza našeg rada je da usled izostanka adekvatne institucionalne podrške
u slučajevima digitalnog nasilja, novinari i novinarke razvijaju specifične mehanizme samozaštite.
U prvom delu rada, analiziramo medijski kontekst, dok u drugom delu rada izlažemo
metodološki dizajn sprovedenog istraživanja. U trećem delu rada predstavljamo podatke iz
kvantitatvne studije, dok u četvrtom delu rada predstavljamo uvide iz kvalitativne studije,
odnosno intervjua sa novinarima i novinarkama.
AB  - In this paper, we present the results and insights from quantitative and qualitative research
with journalists in the Republic of Serbia about the digital violence they are exposed to. The
research question that we are trying to answer relates to how digital violence is answered
and reacted at the personal-professional level of an individual journalist, and how the system, both media and legal-institutional, reacts to digital violence and endangering safety
of journalists. The hypothesis of our work is that due to the lack of adequate institutional
support in cases of digital violence, journalists develop specific self-protection mechanisms.
In the first part of the paper, we analyze the media context, while in the second part we
present the methodological design of the conducted research. In the third part of the paper,
we analyze data from the quantitative study, while in the fourth part we present insights from
the qualitative research, interviews with journalists.
PB  - Beograd : Centar za demokratiju Fakulteta političkih nauka
T2  - Politički život
T1  - Kako se novinari u Srbiji bore sa onlajn napadima – normalizacija digitalnog nasilja kao posledica izostanka institucionalne podrške
T1  - How journalists in Serbia deal with online attacks – normalization of digital violence as a consequence of lack of institutional support
EP  - 39
IS  - 24
SP  - 27
DO  - 10.18485/fpn_pz.2023.24.2
ER  - 

@article{
author = "Krstić, Aleksandra and Jović, Nikola",
year = "2023",
abstract = "U ovom radu predstavljamo rezultate i uvide iz kvantitativnog i kvalitativnog istraživanja sa
novinarima u Republici Srbiji o digitalnom nasilju kojem su izloženi. Istraživačko pitanje na
koje pokušavamo da damo odgovor odnosi se na to kako se na digitalno nasilje odgovara i
reaguje na ličnom-profesionalnom nivou pojedinačnog novinara, a kako na digitalno nasilje
i ugrožavanje bezbednosti novinara reaguje sistem, kako medijski, tako i pravno-institucionalni.
Osnovna hipoteza našeg rada je da usled izostanka adekvatne institucionalne podrške
u slučajevima digitalnog nasilja, novinari i novinarke razvijaju specifične mehanizme samozaštite.
U prvom delu rada, analiziramo medijski kontekst, dok u drugom delu rada izlažemo
metodološki dizajn sprovedenog istraživanja. U trećem delu rada predstavljamo podatke iz
kvantitatvne studije, dok u četvrtom delu rada predstavljamo uvide iz kvalitativne studije,
odnosno intervjua sa novinarima i novinarkama., In this paper, we present the results and insights from quantitative and qualitative research
with journalists in the Republic of Serbia about the digital violence they are exposed to. The
research question that we are trying to answer relates to how digital violence is answered
and reacted at the personal-professional level of an individual journalist, and how the system, both media and legal-institutional, reacts to digital violence and endangering safety
of journalists. The hypothesis of our work is that due to the lack of adequate institutional
support in cases of digital violence, journalists develop specific self-protection mechanisms.
In the first part of the paper, we analyze the media context, while in the second part we
present the methodological design of the conducted research. In the third part of the paper,
we analyze data from the quantitative study, while in the fourth part we present insights from
the qualitative research, interviews with journalists.",
publisher = "Beograd : Centar za demokratiju Fakulteta političkih nauka",
journal = "Politički život",
title = "Kako se novinari u Srbiji bore sa onlajn napadima – normalizacija digitalnog nasilja kao posledica izostanka institucionalne podrške, How journalists in Serbia deal with online attacks – normalization of digital violence as a consequence of lack of institutional support",
pages = "39-27",
number = "24",
doi = "10.18485/fpn_pz.2023.24.2"
}

Krstić, A.,& Jović, N.. (2023). Kako se novinari u Srbiji bore sa onlajn napadima – normalizacija digitalnog nasilja kao posledica izostanka institucionalne podrške. in Politički život
Beograd : Centar za demokratiju Fakulteta političkih nauka.(24), 27-39.
https://doi.org/10.18485/fpn_pz.2023.24.2

Krstić A, Jović N. Kako se novinari u Srbiji bore sa onlajn napadima – normalizacija digitalnog nasilja kao posledica izostanka institucionalne podrške. in Politički život. 2023;(24):27-39.
doi:10.18485/fpn_pz.2023.24.2 .

Krstić, Aleksandra, Jović, Nikola, "Kako se novinari u Srbiji bore sa onlajn napadima – normalizacija digitalnog nasilja kao posledica izostanka institucionalne podrške" in Politički život, no. 24 (2023):27-39,
https://doi.org/10.18485/fpn_pz.2023.24.2 . .

TY  - CONF
AU  - Krstić, Aleksandra
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1141
PB  - Beograd : Clio
PB  - Beograd : Univerzitet umetnosti
C3  - Kulturna diplomatija i kulturni odnosi: saradnja/ raznolikost/ dijalog
T1  - Kulturna diplomatija iz perspektive audio-vizuelnog servisa Evropske komisije
EP  - 99
SP  - 86
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_1141
ER  - 

@conference{
author = "Krstić, Aleksandra",
year = "2023",
publisher = "Beograd : Clio, Beograd : Univerzitet umetnosti",
journal = "Kulturna diplomatija i kulturni odnosi: saradnja/ raznolikost/ dijalog",
title = "Kulturna diplomatija iz perspektive audio-vizuelnog servisa Evropske komisije",
pages = "99-86",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_1141"
}

Krstić, A.. (2023). Kulturna diplomatija iz perspektive audio-vizuelnog servisa Evropske komisije. in Kulturna diplomatija i kulturni odnosi: saradnja/ raznolikost/ dijalog
Beograd : Clio., 86-99.
https://hdl.handle.net/21.15107/rcub_rfpn_1141

Krstić A. Kulturna diplomatija iz perspektive audio-vizuelnog servisa Evropske komisije. in Kulturna diplomatija i kulturni odnosi: saradnja/ raznolikost/ dijalog. 2023;:86-99.
https://hdl.handle.net/21.15107/rcub_rfpn_1141 .

Krstić, Aleksandra, "Kulturna diplomatija iz perspektive audio-vizuelnog servisa Evropske komisije" in Kulturna diplomatija i kulturni odnosi: saradnja/ raznolikost/ dijalog (2023):86-99,
https://hdl.handle.net/21.15107/rcub_rfpn_1141 .

TY  - CHAP
AU  - Krstić, Aleksandra
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1138
PB  - Cham : Palgrave McMillan
T2  - Integrating the Western Balkans into the EU  - Overcoming Mutual Misperceptions, Milica Uvalić (ed.)
T1  - Love and Hate Relationship: Media Framing of the Official Political Communication About the European Union in Serbia’s Media
EP  - 414
SP  - 339
DO  - https://doi.org/10.1007/978-3-031-32205-1_18
ER  - 

@inbook{
author = "Krstić, Aleksandra",
year = "2023",
publisher = "Cham : Palgrave McMillan",
journal = "Integrating the Western Balkans into the EU  - Overcoming Mutual Misperceptions, Milica Uvalić (ed.)",
booktitle = "Love and Hate Relationship: Media Framing of the Official Political Communication About the European Union in Serbia’s Media",
pages = "414-339",
doi = "https://doi.org/10.1007/978-3-031-32205-1_18"
}

Krstić, A.. (2023). Love and Hate Relationship: Media Framing of the Official Political Communication About the European Union in Serbia’s Media. in Integrating the Western Balkans into the EU  - Overcoming Mutual Misperceptions, Milica Uvalić (ed.)
Cham : Palgrave McMillan., 339-414.
https://doi.org/https://doi.org/10.1007/978-3-031-32205-1_18

Krstić A. Love and Hate Relationship: Media Framing of the Official Political Communication About the European Union in Serbia’s Media. in Integrating the Western Balkans into the EU  - Overcoming Mutual Misperceptions, Milica Uvalić (ed.). 2023;:339-414.
doi:https://doi.org/10.1007/978-3-031-32205-1_18 .

Krstić, Aleksandra, "Love and Hate Relationship: Media Framing of the Official Political Communication About the European Union in Serbia’s Media" in Integrating the Western Balkans into the EU  - Overcoming Mutual Misperceptions, Milica Uvalić (ed.) (2023):339-414,
https://doi.org/https://doi.org/10.1007/978-3-031-32205-1_18 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2023
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/987
AB  - The aim of this paper is to sketch a brief history of complex digital transformation of
media and journalism in the context of Serbia, a European country which has undergone
politically turbulent transition from authoritarian to democratic rule over the past
20 years. Despite the long process of the EU integration, the country has been recently
downgraded to a partly free hybrid regime with rapid decline of press freedom, high
political and media polarization and raising political and economic instrumentalization of
media. Against this background, the paper problematizes how the main structural
transformations of the media environment, such as the transition from state to public
broadcasting, the introduction of new media laws and the lengthy process of media
privatization intersected and influenced different phases and outcomes of the digital
transformation of journalism and news media in the country. Unlike the digital journalism
development in established democracies of the West, the real systemic change and
adaptation of Serbia’s media market to easy-to-use technologies, newsrooms convergence,
profitable content and participatory journalism has been largely limited and
overpowered by the interplay between the state and the media over the past two
decades.
PB  - Sage : Thousand Oaks
T2  - Journalism
T1  - Digital transformation of journalism and media in Serbia: What has gone wrong?
EP  - 17
SP  - 1
DO  - 10.1177/14648849231151798
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2023",
abstract = "The aim of this paper is to sketch a brief history of complex digital transformation of
media and journalism in the context of Serbia, a European country which has undergone
politically turbulent transition from authoritarian to democratic rule over the past
20 years. Despite the long process of the EU integration, the country has been recently
downgraded to a partly free hybrid regime with rapid decline of press freedom, high
political and media polarization and raising political and economic instrumentalization of
media. Against this background, the paper problematizes how the main structural
transformations of the media environment, such as the transition from state to public
broadcasting, the introduction of new media laws and the lengthy process of media
privatization intersected and influenced different phases and outcomes of the digital
transformation of journalism and news media in the country. Unlike the digital journalism
development in established democracies of the West, the real systemic change and
adaptation of Serbia’s media market to easy-to-use technologies, newsrooms convergence,
profitable content and participatory journalism has been largely limited and
overpowered by the interplay between the state and the media over the past two
decades.",
publisher = "Sage : Thousand Oaks",
journal = "Journalism",
title = "Digital transformation of journalism and media in Serbia: What has gone wrong?",
pages = "17-1",
doi = "10.1177/14648849231151798"
}

Krstić, A.. (2023). Digital transformation of journalism and media in Serbia: What has gone wrong?. in Journalism
Sage : Thousand Oaks., 1-17.
https://doi.org/10.1177/14648849231151798

Krstić A. Digital transformation of journalism and media in Serbia: What has gone wrong?. in Journalism. 2023;:1-17.
doi:10.1177/14648849231151798 .

Krstić, Aleksandra, "Digital transformation of journalism and media in Serbia: What has gone wrong?" in Journalism (2023):1-17,
https://doi.org/10.1177/14648849231151798 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2022
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/913
AB  - Veliki broj političara koristi vizuelni medijski sadržaj za potrebe lične promocije,
predizbornih kampanja i za komunikaciju sa biračima. Pored televizijskih
snimaka i fotografija u štampanim medijima, političari sve više koriste
vizuelno-centrične digitalne platforme, poput Instagrama, Jutjuba, Snepčeta
i TikToka, kako bi doprli do šire javnosti i obezbedili veću podršku. Jedan
broj političara redovno koristi Instagram kao mrežu koja beleži ogroman
rast u odnosu na druge poznate društvene mreže. Instagram je svojom
vizuelnošću omogućio političku hiperindividualizaciju, pa se čini da su inače
distancirani predsednici, premijeri i drugi političari sve „običniji” i bliži
građanima. Jedan od njih je i predsednik Srbije Aleksandar Vučić, čiji je zvanični
Instagram profil @buducnostsrbijeav poslednjih godina postao važan
izvor informacija mejnstrim medijima u Srbiji, pa i Javnom medijskom servisu.
Imajući u vidu ovaj kontekst, u radu se istražuje kako se na Instagram
profilu predsednika Srbije vizuelno reprezentuju građani Srbije i kao objekat
i kao izvor politike. Na osnovu kvantitativne i kvalitativne analize fotografija
i video snimaka objavljenih u toku 2019. i 2021. godine, identifikuju se glavni
vizuelni okviri u kojima se predstavljaju građani Srbije, kao i vizuelne strategije
na osnovu kojih Aleksandar Vučić stupa u interakciju sa običnim ljudima, uspostavlja odnose sa pojedinim društvenim i profesionalnim grupama,
a istovremeno šalje određene političke poruke.
AB  - A large number of politicians often use visual media content for promotion, cam-
paigning and communication with citizens. Alongside traditional visual con-
tent, such as TV newscasts and images in print media, visual digital platforms
and social media have become popular avenues for politicians to reach the au-
dience and garner support. Some of them regularly use Instagram as a growing
platform in recent years, which has contributed to political hyper-individualiza-
tion and made “distanced” presidents, prime ministers and other political lead-
ers more “ordinary” and closer to citizens. The Instagram account of Aleksandar
Vučić, Serbia’s president, has become highly popular in recent years and high-
ly relevant source of information for the mainstream media in Serbia, including
the Public Broadcasting Service RTS. Against this background, this paper exam-
ines how Serbia’s citizens have been visually represented on the president’s In-
stagram. For that purpose, quantitative and qualitative content analysis of pho-
tographs and videos published in 2019 and 2021 has been conducted. The study
identifies the main visual frames in which the citizens of Serbia appear on this
profile and discusses the leading visual strategies of Vučić’s interaction with the
people in general and with specific social and professional groups
PB  - Udruženje za političke nauke Srbije : Beograd
PB  - Fakultet političkih nauka : Beograd
PB  - Fakultet političkih znanosti :Zagreb
T2  - Političke perspektive
T1  - Pogled odozgo: vizuelno predstavljanje građana Srbije na Instagram profilu predsednika Aleksandra Vučića
T1  - The view from above: visual representation of Serbia’s citizens on Instagram profile of the president Aleksandar Vučić
EP  - 33
IS  - 3
SP  - 7
VL  - 11
DO  - 10.20901/pp.12.1.01
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2022",
abstract = "Veliki broj političara koristi vizuelni medijski sadržaj za potrebe lične promocije,
predizbornih kampanja i za komunikaciju sa biračima. Pored televizijskih
snimaka i fotografija u štampanim medijima, političari sve više koriste
vizuelno-centrične digitalne platforme, poput Instagrama, Jutjuba, Snepčeta
i TikToka, kako bi doprli do šire javnosti i obezbedili veću podršku. Jedan
broj političara redovno koristi Instagram kao mrežu koja beleži ogroman
rast u odnosu na druge poznate društvene mreže. Instagram je svojom
vizuelnošću omogućio političku hiperindividualizaciju, pa se čini da su inače
distancirani predsednici, premijeri i drugi političari sve „običniji” i bliži
građanima. Jedan od njih je i predsednik Srbije Aleksandar Vučić, čiji je zvanični
Instagram profil @buducnostsrbijeav poslednjih godina postao važan
izvor informacija mejnstrim medijima u Srbiji, pa i Javnom medijskom servisu.
Imajući u vidu ovaj kontekst, u radu se istražuje kako se na Instagram
profilu predsednika Srbije vizuelno reprezentuju građani Srbije i kao objekat
i kao izvor politike. Na osnovu kvantitativne i kvalitativne analize fotografija
i video snimaka objavljenih u toku 2019. i 2021. godine, identifikuju se glavni
vizuelni okviri u kojima se predstavljaju građani Srbije, kao i vizuelne strategije
na osnovu kojih Aleksandar Vučić stupa u interakciju sa običnim ljudima, uspostavlja odnose sa pojedinim društvenim i profesionalnim grupama,
a istovremeno šalje određene političke poruke., A large number of politicians often use visual media content for promotion, cam-
paigning and communication with citizens. Alongside traditional visual con-
tent, such as TV newscasts and images in print media, visual digital platforms
and social media have become popular avenues for politicians to reach the au-
dience and garner support. Some of them regularly use Instagram as a growing
platform in recent years, which has contributed to political hyper-individualiza-
tion and made “distanced” presidents, prime ministers and other political lead-
ers more “ordinary” and closer to citizens. The Instagram account of Aleksandar
Vučić, Serbia’s president, has become highly popular in recent years and high-
ly relevant source of information for the mainstream media in Serbia, including
the Public Broadcasting Service RTS. Against this background, this paper exam-
ines how Serbia’s citizens have been visually represented on the president’s In-
stagram. For that purpose, quantitative and qualitative content analysis of pho-
tographs and videos published in 2019 and 2021 has been conducted. The study
identifies the main visual frames in which the citizens of Serbia appear on this
profile and discusses the leading visual strategies of Vučić’s interaction with the
people in general and with specific social and professional groups",
publisher = "Udruženje za političke nauke Srbije : Beograd, Fakultet političkih nauka : Beograd, Fakultet političkih znanosti :Zagreb",
journal = "Političke perspektive",
title = "Pogled odozgo: vizuelno predstavljanje građana Srbije na Instagram profilu predsednika Aleksandra Vučića, The view from above: visual representation of Serbia’s citizens on Instagram profile of the president Aleksandar Vučić",
pages = "33-7",
number = "3",
volume = "11",
doi = "10.20901/pp.12.1.01"
}

Krstić, A.. (2022). Pogled odozgo: vizuelno predstavljanje građana Srbije na Instagram profilu predsednika Aleksandra Vučića. in Političke perspektive
Udruženje za političke nauke Srbije : Beograd., 11(3), 7-33.
https://doi.org/10.20901/pp.12.1.01

Krstić A. Pogled odozgo: vizuelno predstavljanje građana Srbije na Instagram profilu predsednika Aleksandra Vučića. in Političke perspektive. 2022;11(3):7-33.
doi:10.20901/pp.12.1.01 .

Krstić, Aleksandra, "Pogled odozgo: vizuelno predstavljanje građana Srbije na Instagram profilu predsednika Aleksandra Vučića" in Političke perspektive, 11, no. 3 (2022):7-33,
https://doi.org/10.20901/pp.12.1.01 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2022
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/912
AB  - Istraživanja medijskog predstavljanja izbeglica i migranata
intenzivirana su poslednjih godina, naročito od 2015. godine kada je iz zemalja
Bliskog istoka zbog rata izbeglo nekoliko miliona ljudi. Dosadašnja akademska
istraživanja o tome kakvo je novinarsko izveštavanje o migrantskoj krizi i
sudbinama izbeglica uglavnom su fokusirana na medije Zapadne Evrope i
Amerike i na analizu verbalnih narativa i diskursa tekstova u štampanim
medijima. Manji broj istraživanja uzima u obzir i vizuelni medijski sadržaj,
koji može da ima značajan uticaj na percepciju građana i formiranje stavova o
migrantima i izbeglicama. U Srbiji, koja se nalazi na „Balkanskoj ruti“ i kroz koju
je od početka migrantske krize prošlo preko milion ljudi sa Bliskog istoka i Afrike,
istraživanja vizuelnog medijskog predstavljanja migracija su retka. Imajući u
vidu ovaj kontekst, ovaj rad polazi od teorije medijskih okvira i istražuje vizuelno
uokvirivanje izbeglica i migranata u devet štampanih i onlajn medija u Srbiji od
2015. do 2020. godine. Metodološki dizajn istraživanja, zasnovan na kvantitativnoj
i kvalitativnoj analizi 469 fotografija, obuhvata denotativni, stilsko-semiotički
i konotativni nivo vizuelnog medijskog uokvirivanja (Rodriguez and Dimitrova,
2011), kao i hronološki pregled dominantnih medijskih okvira i tehnika vizuelnog
predstavljanja migranata u najčitanijim medijima u Srbiji.
AB  - The research of media presentation of migrants and refugees has been intensified in recent years, especially after 2015 when several million people fled their homes from the war zones in the Middle East and Africa. Contemporary scholarship focusing on journalistic and media reporting on migrant crisis has been mainly researching Western European and the US media context, as well as verbal media narratives of print media outlets. Only a small number of papers examines visual media content, which can have a significant impact on citizens’ perceptions about migrants and refugees. In Serbia, a country situated on “the Balkans route” and which more than a million people from Middle East and Africa had crossed since 2015, visual depiction of migrants and refugees has been rarely researched. Against this background, the paper is based on media framing theory and examines visual framing of migrants and refugees in nine print and online media in Serbia from 2015 until 2020. Methodologically, the paper builds on mixed method research of 469 images analyzed within the denotative, stylistic-semiotic and connotative level of visual media framing (Rodriguez and Dimitrova, 2011), including the timeline analysis of dominant visual media frames and presentation techniques of migrants and refugees in the relevant media outlets in Serbia.
PB  - Sociološko naučno društvo Srbije : Beograd
T2  - Sociologija
T1  - Vizuelno uokvirivanje migranata i izbeglica u medijima u Srbiji od 2015. do 2020. godine
T1  - Visual framing of migrants and refugees in Serbia’s media from 2015 until 2020
EP  - 93
IS  - 1
SP  - 70
VL  - 64
DO  - 10.2298/SOC2201070K
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2022",
abstract = "Istraživanja medijskog predstavljanja izbeglica i migranata
intenzivirana su poslednjih godina, naročito od 2015. godine kada je iz zemalja
Bliskog istoka zbog rata izbeglo nekoliko miliona ljudi. Dosadašnja akademska
istraživanja o tome kakvo je novinarsko izveštavanje o migrantskoj krizi i
sudbinama izbeglica uglavnom su fokusirana na medije Zapadne Evrope i
Amerike i na analizu verbalnih narativa i diskursa tekstova u štampanim
medijima. Manji broj istraživanja uzima u obzir i vizuelni medijski sadržaj,
koji može da ima značajan uticaj na percepciju građana i formiranje stavova o
migrantima i izbeglicama. U Srbiji, koja se nalazi na „Balkanskoj ruti“ i kroz koju
je od početka migrantske krize prošlo preko milion ljudi sa Bliskog istoka i Afrike,
istraživanja vizuelnog medijskog predstavljanja migracija su retka. Imajući u
vidu ovaj kontekst, ovaj rad polazi od teorije medijskih okvira i istražuje vizuelno
uokvirivanje izbeglica i migranata u devet štampanih i onlajn medija u Srbiji od
2015. do 2020. godine. Metodološki dizajn istraživanja, zasnovan na kvantitativnoj
i kvalitativnoj analizi 469 fotografija, obuhvata denotativni, stilsko-semiotički
i konotativni nivo vizuelnog medijskog uokvirivanja (Rodriguez and Dimitrova,
2011), kao i hronološki pregled dominantnih medijskih okvira i tehnika vizuelnog
predstavljanja migranata u najčitanijim medijima u Srbiji., The research of media presentation of migrants and refugees has been intensified in recent years, especially after 2015 when several million people fled their homes from the war zones in the Middle East and Africa. Contemporary scholarship focusing on journalistic and media reporting on migrant crisis has been mainly researching Western European and the US media context, as well as verbal media narratives of print media outlets. Only a small number of papers examines visual media content, which can have a significant impact on citizens’ perceptions about migrants and refugees. In Serbia, a country situated on “the Balkans route” and which more than a million people from Middle East and Africa had crossed since 2015, visual depiction of migrants and refugees has been rarely researched. Against this background, the paper is based on media framing theory and examines visual framing of migrants and refugees in nine print and online media in Serbia from 2015 until 2020. Methodologically, the paper builds on mixed method research of 469 images analyzed within the denotative, stylistic-semiotic and connotative level of visual media framing (Rodriguez and Dimitrova, 2011), including the timeline analysis of dominant visual media frames and presentation techniques of migrants and refugees in the relevant media outlets in Serbia.",
publisher = "Sociološko naučno društvo Srbije : Beograd",
journal = "Sociologija",
title = "Vizuelno uokvirivanje migranata i izbeglica u medijima u Srbiji od 2015. do 2020. godine, Visual framing of migrants and refugees in Serbia’s media from 2015 until 2020",
pages = "93-70",
number = "1",
volume = "64",
doi = "10.2298/SOC2201070K"
}

Krstić, A.. (2022). Vizuelno uokvirivanje migranata i izbeglica u medijima u Srbiji od 2015. do 2020. godine. in Sociologija
Sociološko naučno društvo Srbije : Beograd., 64(1), 70-93.
https://doi.org/10.2298/SOC2201070K

Krstić A. Vizuelno uokvirivanje migranata i izbeglica u medijima u Srbiji od 2015. do 2020. godine. in Sociologija. 2022;64(1):70-93.
doi:10.2298/SOC2201070K .

Krstić, Aleksandra, "Vizuelno uokvirivanje migranata i izbeglica u medijima u Srbiji od 2015. do 2020. godine" in Sociologija, 64, no. 1 (2022):70-93,
https://doi.org/10.2298/SOC2201070K . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2022
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/914
AB  - Akademska istraživanja o medijskom izveštavanju o migrantima i izbeglicama su u porastu od velike „migrantske krize” 2015. godine. Međutim, malo autora se fokusira na vizuelnu reprezentaciju migrantkinja, za koju je utvrđeno da može da utiče na pozitivnije stavove građana i da doprinese razvoju „kulture go- stoprimstva” (Bleiker et al., 2014). Glavni cilj ovog rada je da identifikuje dominantne vizuelne okvire u kojima se u štampanim i on-lajn medijima u Srbiji izveštava o migrantkinjama sa Bliskog istoka i iz Afrike. Кvantitativno-kvalitativna ana- liza 54 fotografije u periodu od 2015. do 2020. godine zasnovana je na konceptu vi- zuelnih medijskih okvira. Glavni rezultati pokazuju da se migrantkinje dominantno vizuelno prikazuju u okvirima pretnje po bezbednost granica i zdravlja ljudi, sa velike udaljenosti kamere od grupe u kojoj se nalaze, čime su lišene identiteta i glasa u medijskom sadržaju.
AB  - Contemporary research on media reporting about migrants and refugees has
been intensified since the 2015 European migrant crisis. However, only a limited number
of authors focus on the visual representation of female migrants, which has been recog-
nised to lead to more positive citizens’ perceptions and the development of the “culture of
hospitality” (Bleiker et al., 2014). The main objective of this paper is to identify dominant
visual frame in which female migrants appear in the Serbian print and online media. The
mixed-method analysis of 54 images captured from 2015 until 2020 is based on the theo-
retical concept of visual media frames. The main results show that female migrants have
been dominantly visually represented as a threat to border security and public health and
that they are usually captured in long shots, deprived of identity and voice in the overall
media coverage.
PB  - Srpsko sociološko društvo : Beograd
T2  - Sociološki pregled
T1  - Bezlične, otuđene i opasne: vizuelna reprezentacija migrantkinja sa Bliskog istoka i iz Afrike u medijskom prostoru Srbije
T1  - Faceless, estranged and dangerous: Visual representation of female migrants From the Middle East and Africa in the Serbian Media landscape
EP  - 233
IS  - 1
SP  - 210
VL  - 56
DO  - 10.5937/socpreg56-35491
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2022",
abstract = "Akademska istraživanja o medijskom izveštavanju o migrantima i izbeglicama su u porastu od velike „migrantske krize” 2015. godine. Međutim, malo autora se fokusira na vizuelnu reprezentaciju migrantkinja, za koju je utvrđeno da može da utiče na pozitivnije stavove građana i da doprinese razvoju „kulture go- stoprimstva” (Bleiker et al., 2014). Glavni cilj ovog rada je da identifikuje dominantne vizuelne okvire u kojima se u štampanim i on-lajn medijima u Srbiji izveštava o migrantkinjama sa Bliskog istoka i iz Afrike. Кvantitativno-kvalitativna ana- liza 54 fotografije u periodu od 2015. do 2020. godine zasnovana je na konceptu vi- zuelnih medijskih okvira. Glavni rezultati pokazuju da se migrantkinje dominantno vizuelno prikazuju u okvirima pretnje po bezbednost granica i zdravlja ljudi, sa velike udaljenosti kamere od grupe u kojoj se nalaze, čime su lišene identiteta i glasa u medijskom sadržaju., Contemporary research on media reporting about migrants and refugees has
been intensified since the 2015 European migrant crisis. However, only a limited number
of authors focus on the visual representation of female migrants, which has been recog-
nised to lead to more positive citizens’ perceptions and the development of the “culture of
hospitality” (Bleiker et al., 2014). The main objective of this paper is to identify dominant
visual frame in which female migrants appear in the Serbian print and online media. The
mixed-method analysis of 54 images captured from 2015 until 2020 is based on the theo-
retical concept of visual media frames. The main results show that female migrants have
been dominantly visually represented as a threat to border security and public health and
that they are usually captured in long shots, deprived of identity and voice in the overall
media coverage.",
publisher = "Srpsko sociološko društvo : Beograd",
journal = "Sociološki pregled",
title = "Bezlične, otuđene i opasne: vizuelna reprezentacija migrantkinja sa Bliskog istoka i iz Afrike u medijskom prostoru Srbije, Faceless, estranged and dangerous: Visual representation of female migrants From the Middle East and Africa in the Serbian Media landscape",
pages = "233-210",
number = "1",
volume = "56",
doi = "10.5937/socpreg56-35491"
}

Krstić, A.. (2022). Bezlične, otuđene i opasne: vizuelna reprezentacija migrantkinja sa Bliskog istoka i iz Afrike u medijskom prostoru Srbije. in Sociološki pregled
Srpsko sociološko društvo : Beograd., 56(1), 210-233.
https://doi.org/10.5937/socpreg56-35491

Krstić A. Bezlične, otuđene i opasne: vizuelna reprezentacija migrantkinja sa Bliskog istoka i iz Afrike u medijskom prostoru Srbije. in Sociološki pregled. 2022;56(1):210-233.
doi:10.5937/socpreg56-35491 .

Krstić, Aleksandra, "Bezlične, otuđene i opasne: vizuelna reprezentacija migrantkinja sa Bliskog istoka i iz Afrike u medijskom prostoru Srbije" in Sociološki pregled, 56, no. 1 (2022):210-233,
https://doi.org/10.5937/socpreg56-35491 . .

TY  - BOOK
AU  - Krstić, Aleksandra
PY  - 2022
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/915
PB  - Institut za filozofiju i društvenu teoriju : Beograd
T1  - Na šta mislimo kada kažemo...Lokalni mediji kao nosioci promena u lokalnim zajednicama u Srbiji
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_915
ER  - 

@book{
author = "Krstić, Aleksandra",
year = "2022",
publisher = "Institut za filozofiju i društvenu teoriju : Beograd",
title = "Na šta mislimo kada kažemo...Lokalni mediji kao nosioci promena u lokalnim zajednicama u Srbiji",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_915"
}

Krstić, A.. (2022). Na šta mislimo kada kažemo...Lokalni mediji kao nosioci promena u lokalnim zajednicama u Srbiji. 
Institut za filozofiju i društvenu teoriju : Beograd..
https://hdl.handle.net/21.15107/rcub_rfpn_915

Krstić A. Na šta mislimo kada kažemo...Lokalni mediji kao nosioci promena u lokalnim zajednicama u Srbiji. 2022;.
https://hdl.handle.net/21.15107/rcub_rfpn_915 .

Krstić, Aleksandra, "Na šta mislimo kada kažemo...Lokalni mediji kao nosioci promena u lokalnim zajednicama u Srbiji" (2022),
https://hdl.handle.net/21.15107/rcub_rfpn_915 .

TY  - JOUR
AU  - Vladisavljević, Nebojša
AU  - Krstić, Aleksandra
PY  - 2022
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1024
AB  - We explored links between competitive authoritarianism and populism in Serbia under Vučić via mixed methods. We conducted a quantitative content analysis of 228 political cartoons (2013–2017) by Dušan Petričić, a leading cartoonist and government critic, and qualitative visual and contextual analysis of four cartoons that reflected key themes—media freedom violations, unfair political competition, and populist and abusive rule. We found that populism appeared as the ‘soft’ face of competitive authoritarianism, tolerable to domestic audiences and acceptable to influential international actors because of its reliance on more informal and sophisticated and less repressive forms of authoritarian manipulation.
PB  - Glasgow : Routledge
T2  - Europe-Asia Studies
T1  - Competitive Authoritarianism and Populism in Serbia under Vučić in Political Cartoons
EP  - 24
SP  - 1
DO  - 10.1080/09668136.2022.2149700
ER  - 

@article{
author = "Vladisavljević, Nebojša and Krstić, Aleksandra",
year = "2022",
abstract = "We explored links between competitive authoritarianism and populism in Serbia under Vučić via mixed methods. We conducted a quantitative content analysis of 228 political cartoons (2013–2017) by Dušan Petričić, a leading cartoonist and government critic, and qualitative visual and contextual analysis of four cartoons that reflected key themes—media freedom violations, unfair political competition, and populist and abusive rule. We found that populism appeared as the ‘soft’ face of competitive authoritarianism, tolerable to domestic audiences and acceptable to influential international actors because of its reliance on more informal and sophisticated and less repressive forms of authoritarian manipulation.",
publisher = "Glasgow : Routledge",
journal = "Europe-Asia Studies",
title = "Competitive Authoritarianism and Populism in Serbia under Vučić in Political Cartoons",
pages = "24-1",
doi = "10.1080/09668136.2022.2149700"
}

Vladisavljević, N.,& Krstić, A.. (2022). Competitive Authoritarianism and Populism in Serbia under Vučić in Political Cartoons. in Europe-Asia Studies
Glasgow : Routledge., 1-24.
https://doi.org/10.1080/09668136.2022.2149700

Vladisavljević N, Krstić A. Competitive Authoritarianism and Populism in Serbia under Vučić in Political Cartoons. in Europe-Asia Studies. 2022;:1-24.
doi:10.1080/09668136.2022.2149700 .

Vladisavljević, Nebojša, Krstić, Aleksandra, "Competitive Authoritarianism and Populism in Serbia under Vučić in Political Cartoons" in Europe-Asia Studies (2022):1-24,
https://doi.org/10.1080/09668136.2022.2149700 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2021
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/911
PB  - Wydawnictwo Uniwersytetu Wrocławskiego : Wroclaw
T2  - Central European Journal of Communication
T1  - Zrinjka Peruško, Dina Vozab, and Antonija Čuvalo (2021). Comparing Post-Socialist Media Systems – The Case of Southeast Europe
EP  - 356
IS  - 2
SP  - 353
VL  - 14
DO  - 10.51480/1899–5101.14.3(30).10
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2021",
publisher = "Wydawnictwo Uniwersytetu Wrocławskiego : Wroclaw",
journal = "Central European Journal of Communication",
title = "Zrinjka Peruško, Dina Vozab, and Antonija Čuvalo (2021). Comparing Post-Socialist Media Systems – The Case of Southeast Europe",
pages = "356-353",
number = "2",
volume = "14",
doi = "10.51480/1899–5101.14.3(30).10"
}

Krstić, A.. (2021). Zrinjka Peruško, Dina Vozab, and Antonija Čuvalo (2021). Comparing Post-Socialist Media Systems – The Case of Southeast Europe. in Central European Journal of Communication
Wydawnictwo Uniwersytetu Wrocławskiego : Wroclaw., 14(2), 353-356.
https://doi.org/10.51480/1899–5101.14.3(30).10

Krstić A. Zrinjka Peruško, Dina Vozab, and Antonija Čuvalo (2021). Comparing Post-Socialist Media Systems – The Case of Southeast Europe. in Central European Journal of Communication. 2021;14(2):353-356.
doi:10.51480/1899–5101.14.3(30).10 .

Krstić, Aleksandra, "Zrinjka Peruško, Dina Vozab, and Antonija Čuvalo (2021). Comparing Post-Socialist Media Systems – The Case of Southeast Europe" in Central European Journal of Communication, 14, no. 2 (2021):353-356,
https://doi.org/10.51480/1899–5101.14.3(30).10 . .

TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Parry, Katy
AU  - Aiello, Giorgia
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/777
AB  - The 2010 Belgrade Pride Parade represents a critical moment in the story of Serbia's democratisation process and highlights the threat that right-wing extremism poses to democratic rights and personal freedoms. Through a focus on patterns of visibility and visuality in the coverage of different protagonists in the streets of Belgrade, we explore the ways in which distinct communities perform their affinities, their right to be seen in public spaces, and rejection of 'the other'. We conduct a visual framing analysis across four news programmes (RTS, Prva TV, TV B92 and Pink TV), emphasising the stylistic-semiotic choices which work to construct the contested spaces of the city. In shifting attention to how the news images work to create the spaces of political 'appearance' and the potentials for political agency through mediated visibility, the article explores the uneasy ambivalence of the democratisation process for authorities and the resulting marginalisation of the lesbian, gay, bisexual and transgender community in news coverage.
PB  - Sage Publications Ltd, London
T2  - European Journal of Cultural Studies
T1  - Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage
EP  - 183
IS  - 2
SP  - 165
VL  - 23
DO  - 10.1177/1367549417743042
ER  - 

@article{
author = "Krstić, Aleksandra and Parry, Katy and Aiello, Giorgia",
year = "2020",
abstract = "The 2010 Belgrade Pride Parade represents a critical moment in the story of Serbia's democratisation process and highlights the threat that right-wing extremism poses to democratic rights and personal freedoms. Through a focus on patterns of visibility and visuality in the coverage of different protagonists in the streets of Belgrade, we explore the ways in which distinct communities perform their affinities, their right to be seen in public spaces, and rejection of 'the other'. We conduct a visual framing analysis across four news programmes (RTS, Prva TV, TV B92 and Pink TV), emphasising the stylistic-semiotic choices which work to construct the contested spaces of the city. In shifting attention to how the news images work to create the spaces of political 'appearance' and the potentials for political agency through mediated visibility, the article explores the uneasy ambivalence of the democratisation process for authorities and the resulting marginalisation of the lesbian, gay, bisexual and transgender community in news coverage.",
publisher = "Sage Publications Ltd, London",
journal = "European Journal of Cultural Studies",
title = "Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage",
pages = "183-165",
number = "2",
volume = "23",
doi = "10.1177/1367549417743042"
}

Krstić, A., Parry, K.,& Aiello, G.. (2020). Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage. in European Journal of Cultural Studies
Sage Publications Ltd, London., 23(2), 165-183.
https://doi.org/10.1177/1367549417743042

Krstić A, Parry K, Aiello G. Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage. in European Journal of Cultural Studies. 2020;23(2):165-183.
doi:10.1177/1367549417743042 .

Krstić, Aleksandra, Parry, Katy, Aiello, Giorgia, "Visualising the politics of appearance in times of democratisation: An analysis of the 2010 Belgrade Pride Parade television coverage" in European Journal of Cultural Studies, 23, no. 2 (2020):165-183,
https://doi.org/10.1177/1367549417743042 . .

TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Aiello, Giorgia
AU  - Vladisavljević, Nebojša
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/771
AB  - This article examines how political cartoons reflected and mobilized resistance to growing authoritarianism and the personalization of power in contemporary Serbia. The focus is on the work of Dusan Petricic, the most influential political cartoonist in Serbia, which was published in daily Politika and weekly NIN between 2012 and 2017. Petricic's cartoons offer interesting insights into a dramatic decline of press freedom and the rise of authoritarian personalist rule in terms of both their content and political impact. The authors draw on quantitative content analysis and qualitative multimodal analysis to examine the key representational and stylistic features of Petricic's cartoons, both as a way to understand the relationship between his aesthetics and his political statements, and in order to critically assess some of the ways in which democratization conflicts may be expressed visually. Their analysis also draws on evidence from an in-depth interview with the author. In combining a systematic analysis of key visual patterns across a sample of cartoons with a comprehensive evaluation of how both visual and linguistic features work together to promote anti-authoritarian ideals and resistance, the article offers a framework to understand the political import of aesthetics in Serbia's democratization process.
PB  - Sage Publications Ltd, London
T2  - Media War and Conflict
T1  - Visual metaphor and authoritarianism in Serbian political cartoons
EP  - 49
IS  - 1
SP  - 27
VL  - 13
DO  - 10.1177/1750635219856549
ER  - 

@article{
author = "Krstić, Aleksandra and Aiello, Giorgia and Vladisavljević, Nebojša",
year = "2020",
abstract = "This article examines how political cartoons reflected and mobilized resistance to growing authoritarianism and the personalization of power in contemporary Serbia. The focus is on the work of Dusan Petricic, the most influential political cartoonist in Serbia, which was published in daily Politika and weekly NIN between 2012 and 2017. Petricic's cartoons offer interesting insights into a dramatic decline of press freedom and the rise of authoritarian personalist rule in terms of both their content and political impact. The authors draw on quantitative content analysis and qualitative multimodal analysis to examine the key representational and stylistic features of Petricic's cartoons, both as a way to understand the relationship between his aesthetics and his political statements, and in order to critically assess some of the ways in which democratization conflicts may be expressed visually. Their analysis also draws on evidence from an in-depth interview with the author. In combining a systematic analysis of key visual patterns across a sample of cartoons with a comprehensive evaluation of how both visual and linguistic features work together to promote anti-authoritarian ideals and resistance, the article offers a framework to understand the political import of aesthetics in Serbia's democratization process.",
publisher = "Sage Publications Ltd, London",
journal = "Media War and Conflict",
title = "Visual metaphor and authoritarianism in Serbian political cartoons",
pages = "49-27",
number = "1",
volume = "13",
doi = "10.1177/1750635219856549"
}

Krstić, A., Aiello, G.,& Vladisavljević, N.. (2020). Visual metaphor and authoritarianism in Serbian political cartoons. in Media War and Conflict
Sage Publications Ltd, London., 13(1), 27-49.
https://doi.org/10.1177/1750635219856549

Krstić A, Aiello G, Vladisavljević N. Visual metaphor and authoritarianism in Serbian political cartoons. in Media War and Conflict. 2020;13(1):27-49.
doi:10.1177/1750635219856549 .

Krstić, Aleksandra, Aiello, Giorgia, Vladisavljević, Nebojša, "Visual metaphor and authoritarianism in Serbian political cartoons" in Media War and Conflict, 13, no. 1 (2020):27-49,
https://doi.org/10.1177/1750635219856549 . .

TY  - CHAP
AU  - Krstić, Aleksandra
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/910
AB  - The paper examines key theoretical approaches that study the EU representa-
tion in the media and that are present in the contemporary academic re-
searches. The main theoretical concepts and analyses of the media reporting
on the relevant EU issues in the EU member states and outside the EU have
been identified. Looking into the most relevant and contemporary academic
literature, the paper aims to explain how academic research has contributed
to better understanding of the media representation of the EU, the relation-
ship between the EU institutions and journalists, as well as the media effects
related to citizens’ perceptions of the European Union.
AB  - Rad se bavi teorijskim pristupima koji izučavaju medijsku reprezentaciju Evropske unije, a koji su prisutni u akademskim istraživanjima od početka dvehiljaditih godina do danas. U radu se identifikuju glavni teorijski koncepti i istraživački pravci koji su ključni za razumevanje medijskog izveštavanja o EU u zemljama članicama i državama Zapadnog Balkana. Glavni cilj ovog rada je da objasni na koji način akademska istraživanja u ovoj oblasti doprinose boljem razumevanju medijskog izveštavanja o EU, odnosa novinara sa EU institucijama i efekata medijske reprezentacije EU na stavove građana.
PB  - Institut za evropske studije : Beograd
T2  - Medijska politika i evrointegracije
T1  - Medijska reprezentacija Evropske unije: glavni teorijski pristupi
T1  - Media representation of the European union: Key theoretical approaches
EP  - 33
SP  - 17
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_910
ER  - 

@inbook{
author = "Krstić, Aleksandra",
year = "2020",
abstract = "The paper examines key theoretical approaches that study the EU representa-
tion in the media and that are present in the contemporary academic re-
searches. The main theoretical concepts and analyses of the media reporting
on the relevant EU issues in the EU member states and outside the EU have
been identified. Looking into the most relevant and contemporary academic
literature, the paper aims to explain how academic research has contributed
to better understanding of the media representation of the EU, the relation-
ship between the EU institutions and journalists, as well as the media effects
related to citizens’ perceptions of the European Union., Rad se bavi teorijskim pristupima koji izučavaju medijsku reprezentaciju Evropske unije, a koji su prisutni u akademskim istraživanjima od početka dvehiljaditih godina do danas. U radu se identifikuju glavni teorijski koncepti i istraživački pravci koji su ključni za razumevanje medijskog izveštavanja o EU u zemljama članicama i državama Zapadnog Balkana. Glavni cilj ovog rada je da objasni na koji način akademska istraživanja u ovoj oblasti doprinose boljem razumevanju medijskog izveštavanja o EU, odnosa novinara sa EU institucijama i efekata medijske reprezentacije EU na stavove građana.",
publisher = "Institut za evropske studije : Beograd",
journal = "Medijska politika i evrointegracije",
booktitle = "Medijska reprezentacija Evropske unije: glavni teorijski pristupi, Media representation of the European union: Key theoretical approaches",
pages = "33-17",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_910"
}

Krstić, A.. (2020). Medijska reprezentacija Evropske unije: glavni teorijski pristupi. in Medijska politika i evrointegracije
Institut za evropske studije : Beograd., 17-33.
https://hdl.handle.net/21.15107/rcub_rfpn_910

Krstić A. Medijska reprezentacija Evropske unije: glavni teorijski pristupi. in Medijska politika i evrointegracije. 2020;:17-33.
https://hdl.handle.net/21.15107/rcub_rfpn_910 .

Krstić, Aleksandra, "Medijska reprezentacija Evropske unije: glavni teorijski pristupi" in Medijska politika i evrointegracije (2020):17-33,
https://hdl.handle.net/21.15107/rcub_rfpn_910 .

TY  - CHAP
AU  - Krstić, Aleksandra
PY  - 2020
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/909
AB  - Jedan od pokazatelja demokratizacije medija i politike u Srbiji jeste uvođenje prvih organizovanih TV duela predsedničkih kandidata i TV debata pred- stavnika stranaka uoči parlamentarnih izbora. Ovi medijski događaji u Srbiji su posle 2000. godine imali značajnu ulogu u unapređenju kulture dijaloga, obezbeđivanju kvalitetnije izborne komunikacije i promociji različitih političkih pozicija i kandidata. Rad istražuje predsedničke TV duele posle 2000. godine u Srbiji u širem kontekstu sučeljavanja kandidata za predsednike širom sveta kao značajnim medijskim događajima u predizbornim kampanjama. Predsednički TV dueli u Srbiji održani su uoči drugog kruga predsedničkih izbora 2002. godine, kada su u beograd- skom Medija centru polemisali Vojislav Кoštunica i Miroljub Labus, kao i uoči drugog kruga izbora 2004, 2008. i 2012. godine između Tomislava Nikolića i Borisa Tadića. Značaj predsedničkih TV duela posle demokratskih promena 2000. godine u ovom radu se ispituje iz ugla novinara odnosno moderatora duela.
AB  - Television debates between candidates for Serbia’s president are significant
in election campaigns around the world, and particularly in the context of media and poli-
tical democratization. Presidential and parliamentary TV debates have played an important
role in the development of political communication and the establishment of a dialogue
between different political options and candidates in the last twenty years in Serbia. This
paper examines presidential TV debates from the beginning of democratic transition of
Serbia, namely the debates organized in the eve of presidential elections in 2002, between
Vojislav Koštunica and Miroljub Labus, and in 2004, 2008 and 2012 between Tomislav
Nikolić and Boris Tadić. The content, organization and the role of TV debates in media and
political context of Serbia are discussed from the point of view of media, since the mode-
rators of the analysed TV debates have been interviewed for the purposes of this paper.
PB  - Insitut za političke studije : Beograd
PB  - Službeni glasnik : Beograd
T2  - Koga, kako i zašto smo birali: Izbori u Srbiji 1990-2020.
T1  - TV dueli kandidata za predsednika Srbije od 2002. do 2012. godine
T1  - Presidential TV debates in Serbia from 2002 until 2012
EP  - 449
SP  - 429
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_909
ER  - 

@inbook{
author = "Krstić, Aleksandra",
year = "2020",
abstract = "Jedan od pokazatelja demokratizacije medija i politike u Srbiji jeste uvođenje prvih organizovanih TV duela predsedničkih kandidata i TV debata pred- stavnika stranaka uoči parlamentarnih izbora. Ovi medijski događaji u Srbiji su posle 2000. godine imali značajnu ulogu u unapređenju kulture dijaloga, obezbeđivanju kvalitetnije izborne komunikacije i promociji različitih političkih pozicija i kandidata. Rad istražuje predsedničke TV duele posle 2000. godine u Srbiji u širem kontekstu sučeljavanja kandidata za predsednike širom sveta kao značajnim medijskim događajima u predizbornim kampanjama. Predsednički TV dueli u Srbiji održani su uoči drugog kruga predsedničkih izbora 2002. godine, kada su u beograd- skom Medija centru polemisali Vojislav Кoštunica i Miroljub Labus, kao i uoči drugog kruga izbora 2004, 2008. i 2012. godine između Tomislava Nikolića i Borisa Tadića. Značaj predsedničkih TV duela posle demokratskih promena 2000. godine u ovom radu se ispituje iz ugla novinara odnosno moderatora duela., Television debates between candidates for Serbia’s president are significant
in election campaigns around the world, and particularly in the context of media and poli-
tical democratization. Presidential and parliamentary TV debates have played an important
role in the development of political communication and the establishment of a dialogue
between different political options and candidates in the last twenty years in Serbia. This
paper examines presidential TV debates from the beginning of democratic transition of
Serbia, namely the debates organized in the eve of presidential elections in 2002, between
Vojislav Koštunica and Miroljub Labus, and in 2004, 2008 and 2012 between Tomislav
Nikolić and Boris Tadić. The content, organization and the role of TV debates in media and
political context of Serbia are discussed from the point of view of media, since the mode-
rators of the analysed TV debates have been interviewed for the purposes of this paper.",
publisher = "Insitut za političke studije : Beograd, Službeni glasnik : Beograd",
journal = "Koga, kako i zašto smo birali: Izbori u Srbiji 1990-2020.",
booktitle = "TV dueli kandidata za predsednika Srbije od 2002. do 2012. godine, Presidential TV debates in Serbia from 2002 until 2012",
pages = "449-429",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_909"
}

Krstić, A.. (2020). TV dueli kandidata za predsednika Srbije od 2002. do 2012. godine. in Koga, kako i zašto smo birali: Izbori u Srbiji 1990-2020.
Insitut za političke studije : Beograd., 429-449.
https://hdl.handle.net/21.15107/rcub_rfpn_909

Krstić A. TV dueli kandidata za predsednika Srbije od 2002. do 2012. godine. in Koga, kako i zašto smo birali: Izbori u Srbiji 1990-2020.. 2020;:429-449.
https://hdl.handle.net/21.15107/rcub_rfpn_909 .

Krstić, Aleksandra, "TV dueli kandidata za predsednika Srbije od 2002. do 2012. godine" in Koga, kako i zašto smo birali: Izbori u Srbiji 1990-2020. (2020):429-449,
https://hdl.handle.net/21.15107/rcub_rfpn_909 .

TY  - CHAP
AU  - Milojević, Ana
AU  - Krstić, Aleksandra
PY  - 2019
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/1160
AB  - The populism has been a prominent topic in academic community quite some time and even proclaimed one of the most contentious issues in political sciences, but scholars have applied populist perspective on party performance in Serbia quite rare. The aim of this paper 
is to deepen our understanding of populism in the post-communist context by examining the quantity and quality of populism manifested in the mainstream political discourse in Serbia.
Although populism is polyvalent concept, this paper argues that significant consistency around dimensions of populism can be identified. Therefore, based on literature review the most common dimensions of populism were abstracted and integrated into the analytical matrix of this research: 1) people centrism 2) anti elitism 3) language style 4) crisis discourse and 5) exclusionism. Following outlined dimensions of populism, quantitative and qualitative content analysis of the 
electorate TV debates during 2014 parliamentary elections was done. 
The results reveal the character of centrist populism: populist elements were almost equally dispersed across four out of five dimensions in the discourse of all political parties. Without excluding any group from the people, mainstream parties construct the people as wise diagnosticians of “societal illnesses” and blame each other for inability to implement popular wisdom to solve the systemic societal crisis.
PB  - Belgrade : Institute for Theatre, Film, Radio and Television Faculty of Dramatic Arts
PB  - Belgrade : Clio
T2  - Situating populist politics: arts & media nexus
T1  - Dimensional Approach to Populism: Party Communication During 2014 Elections in Serbia
EP  - 162
SP  - 141
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_1160
ER  - 

@inbook{
author = "Milojević, Ana and Krstić, Aleksandra",
year = "2019",
abstract = "The populism has been a prominent topic in academic community quite some time and even proclaimed one of the most contentious issues in political sciences, but scholars have applied populist perspective on party performance in Serbia quite rare. The aim of this paper 
is to deepen our understanding of populism in the post-communist context by examining the quantity and quality of populism manifested in the mainstream political discourse in Serbia.
Although populism is polyvalent concept, this paper argues that significant consistency around dimensions of populism can be identified. Therefore, based on literature review the most common dimensions of populism were abstracted and integrated into the analytical matrix of this research: 1) people centrism 2) anti elitism 3) language style 4) crisis discourse and 5) exclusionism. Following outlined dimensions of populism, quantitative and qualitative content analysis of the 
electorate TV debates during 2014 parliamentary elections was done. 
The results reveal the character of centrist populism: populist elements were almost equally dispersed across four out of five dimensions in the discourse of all political parties. Without excluding any group from the people, mainstream parties construct the people as wise diagnosticians of “societal illnesses” and blame each other for inability to implement popular wisdom to solve the systemic societal crisis.",
publisher = "Belgrade : Institute for Theatre, Film, Radio and Television Faculty of Dramatic Arts, Belgrade : Clio",
journal = "Situating populist politics: arts & media nexus",
booktitle = "Dimensional Approach to Populism: Party Communication During 2014 Elections in Serbia",
pages = "162-141",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_1160"
}

Milojević, A.,& Krstić, A.. (2019). Dimensional Approach to Populism: Party Communication During 2014 Elections in Serbia. in Situating populist politics: arts & media nexus
Belgrade : Institute for Theatre, Film, Radio and Television Faculty of Dramatic Arts., 141-162.
https://hdl.handle.net/21.15107/rcub_rfpn_1160

Milojević A, Krstić A. Dimensional Approach to Populism: Party Communication During 2014 Elections in Serbia. in Situating populist politics: arts & media nexus. 2019;:141-162.
https://hdl.handle.net/21.15107/rcub_rfpn_1160 .

Milojević, Ana, Krstić, Aleksandra, "Dimensional Approach to Populism: Party Communication During 2014 Elections in Serbia" in Situating populist politics: arts & media nexus (2019):141-162,
https://hdl.handle.net/21.15107/rcub_rfpn_1160 .

TY  - CHAP
AU  - Vladisavljević, Nebojša
AU  - Krstić, Aleksandra
AU  - Pavlović, Jovica
PY  - 2019
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/943
AB  - The chapter explores diverging implications of global democratic decline for public communication in new and old democracies. It draws on empirical evidence from a government-sponsored smear campaign against Serbia’s ombudsman between January and May 2015, including data from quantitative and qualitative analyses of print and electronic media and of Twitter content and from semi-structured interviews with key political, civil society and media actors. The analyses of the main arenas of conflict showed the prevalence of emotions and personal beliefs, as opposed to evidence, in public debates, just like in old democracies. It also revealed, however, a much broader repertoire of strategic deception and authoritarian manipulation, which resulted in sharp polarization in public discourse, systematic violations of press freedom and political competition, and a sharply declining quality of journalism.
PB  - Palgrave Macmillan : Basingstoke and New York
T2  - Media, communication and the struggle for democratic change: Case studies on contested transitions
T1  - Communicating power and resistance in democratic decline: the 2015 smear campaign against Serbia’s ombudsman
EP  - 228
SP  - 205
DO  - 10.1007/978-3-030-16748-6_9
ER  - 

@inbook{
author = "Vladisavljević, Nebojša and Krstić, Aleksandra and Pavlović, Jovica",
year = "2019",
abstract = "The chapter explores diverging implications of global democratic decline for public communication in new and old democracies. It draws on empirical evidence from a government-sponsored smear campaign against Serbia’s ombudsman between January and May 2015, including data from quantitative and qualitative analyses of print and electronic media and of Twitter content and from semi-structured interviews with key political, civil society and media actors. The analyses of the main arenas of conflict showed the prevalence of emotions and personal beliefs, as opposed to evidence, in public debates, just like in old democracies. It also revealed, however, a much broader repertoire of strategic deception and authoritarian manipulation, which resulted in sharp polarization in public discourse, systematic violations of press freedom and political competition, and a sharply declining quality of journalism.",
publisher = "Palgrave Macmillan : Basingstoke and New York",
journal = "Media, communication and the struggle for democratic change: Case studies on contested transitions",
booktitle = "Communicating power and resistance in democratic decline: the 2015 smear campaign against Serbia’s ombudsman",
pages = "228-205",
doi = "10.1007/978-3-030-16748-6_9"
}

Vladisavljević, N., Krstić, A.,& Pavlović, J.. (2019). Communicating power and resistance in democratic decline: the 2015 smear campaign against Serbia’s ombudsman. in Media, communication and the struggle for democratic change: Case studies on contested transitions
Palgrave Macmillan : Basingstoke and New York., 205-228.
https://doi.org/10.1007/978-3-030-16748-6_9

Vladisavljević N, Krstić A, Pavlović J. Communicating power and resistance in democratic decline: the 2015 smear campaign against Serbia’s ombudsman. in Media, communication and the struggle for democratic change: Case studies on contested transitions. 2019;:205-228.
doi:10.1007/978-3-030-16748-6_9 .

Vladisavljević, Nebojša, Krstić, Aleksandra, Pavlović, Jovica, "Communicating power and resistance in democratic decline: the 2015 smear campaign against Serbia’s ombudsman" in Media, communication and the struggle for democratic change: Case studies on contested transitions (2019):205-228,
https://doi.org/10.1007/978-3-030-16748-6_9 . .

TY  - CHAP
AU  - Krstić, Aleksandra
PY  - 2019
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/908
AB  - U radu se istražuje način na koji novinari u Srbiji razumeju svoju ulogu u izve-
štavanju o važnim političkim i društvenim sukobima, šta smatraju etičkim izve-
štavanjem, sa kojim etičkim dilemama se susreću i kako ti izazovi utiču na nji-
hovo izveštavanje. Istraživanje se teorijski zasniva na konceptima koji ispituju
novinarsku etiku sa normativnog, organizacionog i individualnog aspekta, a
metodološki se zasniva na četiri studije slučaja sukoba u demokratizaciji Srbije od 2001. do 2015. godine i na kvalitativnoj analizi dubinskih intervjua sa 28 novinara i urednika relevantnih medijskih kuća.
AB  - This paper examines how ethical values and ethical code of conduct are interpreted and practiced by professional journalists reporting on non-violent
democratization conflicts in Serbia. Building on theoretical concepts which
approach to journalism ethics from normative, organizational and individual
level, this study shows how journalists perceive ethical reporting of democratization conflicts, which ethical dilemmas they have faced and how those challenges influenced overall media coverage. Empirically, this paper draws on indepth interviews with 28 journalists working in national news organizations
and four conflict cases in Serbia’s democratization between 2001 and 2015
PB  - Fakultet političkih nauka : Beograd
PB  - Udruženje za političke nauke Srbije : Beograd
T2  - Sukobi. Stabilnost. Demokratija?
T1  - Izveštavanje o sukobima u demokratizaciji: etičke dileme i izazovi iz ugla novinara u Srbiji
T1  - Reporting democratization conflicts: Ethical dilemmas and challenges from The perspective of Serbia’s journalists
SP  - 37
VL  - 56
UR  - https://hdl.handle.net/21.15107/rcub_rfpn_908
ER  - 

@inbook{
author = "Krstić, Aleksandra",
year = "2019",
abstract = "U radu se istražuje način na koji novinari u Srbiji razumeju svoju ulogu u izve-
štavanju o važnim političkim i društvenim sukobima, šta smatraju etičkim izve-
štavanjem, sa kojim etičkim dilemama se susreću i kako ti izazovi utiču na nji-
hovo izveštavanje. Istraživanje se teorijski zasniva na konceptima koji ispituju
novinarsku etiku sa normativnog, organizacionog i individualnog aspekta, a
metodološki se zasniva na četiri studije slučaja sukoba u demokratizaciji Srbije od 2001. do 2015. godine i na kvalitativnoj analizi dubinskih intervjua sa 28 novinara i urednika relevantnih medijskih kuća., This paper examines how ethical values and ethical code of conduct are interpreted and practiced by professional journalists reporting on non-violent
democratization conflicts in Serbia. Building on theoretical concepts which
approach to journalism ethics from normative, organizational and individual
level, this study shows how journalists perceive ethical reporting of democratization conflicts, which ethical dilemmas they have faced and how those challenges influenced overall media coverage. Empirically, this paper draws on indepth interviews with 28 journalists working in national news organizations
and four conflict cases in Serbia’s democratization between 2001 and 2015",
publisher = "Fakultet političkih nauka : Beograd, Udruženje za političke nauke Srbije : Beograd",
journal = "Sukobi. Stabilnost. Demokratija?",
booktitle = "Izveštavanje o sukobima u demokratizaciji: etičke dileme i izazovi iz ugla novinara u Srbiji, Reporting democratization conflicts: Ethical dilemmas and challenges from The perspective of Serbia’s journalists",
pages = "37",
volume = "56",
url = "https://hdl.handle.net/21.15107/rcub_rfpn_908"
}

Krstić, A.. (2019). Izveštavanje o sukobima u demokratizaciji: etičke dileme i izazovi iz ugla novinara u Srbiji. in Sukobi. Stabilnost. Demokratija?
Fakultet političkih nauka : Beograd., 56, 37.
https://hdl.handle.net/21.15107/rcub_rfpn_908

Krstić A. Izveštavanje o sukobima u demokratizaciji: etičke dileme i izazovi iz ugla novinara u Srbiji. in Sukobi. Stabilnost. Demokratija?. 2019;56:37.
https://hdl.handle.net/21.15107/rcub_rfpn_908 .

Krstić, Aleksandra, "Izveštavanje o sukobima u demokratizaciji: etičke dileme i izazovi iz ugla novinara u Srbiji" in Sukobi. Stabilnost. Demokratija?, 56 (2019):37,
https://hdl.handle.net/21.15107/rcub_rfpn_908 .

TY  - JOUR
AU  - Milojević, Ana
AU  - Krstić, Aleksandra
PY  - 2018
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/986
AB  - In this article, we use the hierarchy-of-influences model as a framework for examining the ways
in which media owners, managers and journalists perceive the influence exerted on their work
during 12-year democratic transition in Serbia. We aim to explain how factors perceived as
influential at the highest system level gradually transfer and relate to the factors on the subsumed
levels. Using the concepts such as corruption and the culture of corruption to interpret hierarchy
between different levels of influence on transitional journalism, we argue that coupling extramedia
actors at the system level can be considered corruption – understood as abuse of power
for personal gain or benefit of the aligned group – which translates to all other levels of influence
PB  - Sage : Thousand Oaks
T2  - European Journal of Communication
T1  - Hierarchy of influences on transitional journalism: Corrupting relationships between political, economic and media elites
EP  - 56
SP  - 37
VL  - 33
DO  - 10.1177/0267323117750674
ER  - 

@article{
author = "Milojević, Ana and Krstić, Aleksandra",
year = "2018",
abstract = "In this article, we use the hierarchy-of-influences model as a framework for examining the ways
in which media owners, managers and journalists perceive the influence exerted on their work
during 12-year democratic transition in Serbia. We aim to explain how factors perceived as
influential at the highest system level gradually transfer and relate to the factors on the subsumed
levels. Using the concepts such as corruption and the culture of corruption to interpret hierarchy
between different levels of influence on transitional journalism, we argue that coupling extramedia
actors at the system level can be considered corruption – understood as abuse of power
for personal gain or benefit of the aligned group – which translates to all other levels of influence",
publisher = "Sage : Thousand Oaks",
journal = "European Journal of Communication",
title = "Hierarchy of influences on transitional journalism: Corrupting relationships between political, economic and media elites",
pages = "56-37",
volume = "33",
doi = "10.1177/0267323117750674"
}

Milojević, A.,& Krstić, A.. (2018). Hierarchy of influences on transitional journalism: Corrupting relationships between political, economic and media elites. in European Journal of Communication
Sage : Thousand Oaks., 33, 37-56.
https://doi.org/10.1177/0267323117750674

Milojević A, Krstić A. Hierarchy of influences on transitional journalism: Corrupting relationships between political, economic and media elites. in European Journal of Communication. 2018;33:37-56.
doi:10.1177/0267323117750674 .

Milojević, Ana, Krstić, Aleksandra, "Hierarchy of influences on transitional journalism: Corrupting relationships between political, economic and media elites" in European Journal of Communication, 33 (2018):37-56,
https://doi.org/10.1177/0267323117750674 . .

TY  - JOUR
AU  - Milojević, Ana
AU  - Krstić, Aleksandra
PY  - 2018
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/673
AB  - In this article, we use the hierarchy-of-influences model as a framework for examining the ways in which media owners, managers and journalists perceive the influence exerted on their work during 12-year democratic transition in Serbia. We aim to explain how factors perceived as influential at the highest system level gradually transfer and relate to the factors on the subsumed levels. Using the concepts such as corruption and the culture of corruption to interpret hierarchy between different levels of influence on transitional journalism, we argue that coupling extra-media actors at the system level can be considered corruption - understood as abuse of power for personal gain or benefit of the aligned group - which translates to all other levels of influence.
PB  - Sage Publications Ltd, London
T2  - European Journal of Communication
T1  - Hierarchy of influences on transitional journalism - Corrupting relationships between political, economic and media elites
EP  - 56
IS  - 1
SP  - 37
VL  - 33
DO  - 10.1177/0267323117750674
ER  - 

@article{
author = "Milojević, Ana and Krstić, Aleksandra",
year = "2018",
abstract = "In this article, we use the hierarchy-of-influences model as a framework for examining the ways in which media owners, managers and journalists perceive the influence exerted on their work during 12-year democratic transition in Serbia. We aim to explain how factors perceived as influential at the highest system level gradually transfer and relate to the factors on the subsumed levels. Using the concepts such as corruption and the culture of corruption to interpret hierarchy between different levels of influence on transitional journalism, we argue that coupling extra-media actors at the system level can be considered corruption - understood as abuse of power for personal gain or benefit of the aligned group - which translates to all other levels of influence.",
publisher = "Sage Publications Ltd, London",
journal = "European Journal of Communication",
title = "Hierarchy of influences on transitional journalism - Corrupting relationships between political, economic and media elites",
pages = "56-37",
number = "1",
volume = "33",
doi = "10.1177/0267323117750674"
}

Milojević, A.,& Krstić, A.. (2018). Hierarchy of influences on transitional journalism - Corrupting relationships between political, economic and media elites. in European Journal of Communication
Sage Publications Ltd, London., 33(1), 37-56.
https://doi.org/10.1177/0267323117750674

Milojević A, Krstić A. Hierarchy of influences on transitional journalism - Corrupting relationships between political, economic and media elites. in European Journal of Communication. 2018;33(1):37-56.
doi:10.1177/0267323117750674 .

Milojević, Ana, Krstić, Aleksandra, "Hierarchy of influences on transitional journalism - Corrupting relationships between political, economic and media elites" in European Journal of Communication, 33, no. 1 (2018):37-56,
https://doi.org/10.1177/0267323117750674 . .

TY  - JOUR
AU  - Krstić, Aleksandra
AU  - Milojević, Ana
AU  - Kleut, Jelena
PY  - 2018
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/656
AB  - This paper builds on the framing theory and its paradigm related to media coverage of protests. Protests are considered as multidimensional phenomena with important visual manifestations both at the time they take place and in later treatment in the media. The aim of this research was to contribute to understanding of visual framing of protests in Serbian media. For that purpose, we analyzed "Against the Dictatorship" protest held after presidential elections in 2017. Our analysis was focused on TV news aired on RTS1, B92, Pink and N1, photographs published in print outlets Kurir, Informer, Vecernje novosti, Politika and Danas, and photos from Web sites blic.rs and telegraf.rs. The method of content analysis was used to examine the representation of visual frames of violence, performance, legitimization and delegitimization, and social semiotics to analyze the content of frames. Results of our study show that the mediascape in Serbia is divided between outlets which positively represent protests and others which frequently use negative frames of violence and delegitimization. More than other frames, visual performance is linked with newsrooms' work routines and focuses on the visual attractiveness of the event, while legitimization and delegitimization frames reflect political bias and editorial policies of certain media outlets.
AB  - U radu se polazi od teorije uokvirivanja i unutar nje formulisane paradigme o medijskom izveštavanju o protestima. Protesti se posmatraju kao višedimenzionalni fenomeni u kojima je vizuelni izraz važan kako tokom protesta, tako i u njegovoj kasnijoj masmedijskoj obradi. Cilj ovog rada je da doprinese razumevanju vizuelnog medijskog uokvirivanja protesta, na osnovu studije slučaja protesta Protiv diktature koji je organizovan u Srbiji posle predsedničkih izbora 2017. godine. Analizom je obuhvaćeno izveštavanje televizija RTS 1, B92, Pink i N1, štampanih izdanja Kurira, Informera, Večernjih novosti, Politike i Danasa, i sajtova Blic.rs, Telegraf.rs. Metodom analize sadržaja ispitana je zastupljenost vizuelnih okvira nasilja, performativnosti, legitimisanja i delegitimisanja, a iz ugla socijalne semiotike kvalitativno je analiziran sadržaj ovih okvira. Rezultati pokazuju da je medijska scena podeljena između medija koji proteste prikazuju pozitivno i onih koji frekventno koriste negativne okvire nasilja i delegitimisanja. Za vizuelni performativni okvir može se reći da više od ostalih odslikava rutinu rada redakcija i stavlja u fokus vizuelnu atraktivnost događaja, dok se okvir legitimisanja i delegitimisanja pre mogu pripisati političkoj pristrasnosti i uređivačkoj politici određenih medija.
PB  - Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd
T2  - CM: Communication and Media
T1  - Visual framing of the protest Against the dictatorship
T1  - Vizuelno uokvirivanje protesta Protiv diktature
EP  - 92
IS  - 44
SP  - 57
VL  - 13
DO  - 10.5937/comman13-20797
ER  - 

@article{
author = "Krstić, Aleksandra and Milojević, Ana and Kleut, Jelena",
year = "2018",
abstract = "This paper builds on the framing theory and its paradigm related to media coverage of protests. Protests are considered as multidimensional phenomena with important visual manifestations both at the time they take place and in later treatment in the media. The aim of this research was to contribute to understanding of visual framing of protests in Serbian media. For that purpose, we analyzed "Against the Dictatorship" protest held after presidential elections in 2017. Our analysis was focused on TV news aired on RTS1, B92, Pink and N1, photographs published in print outlets Kurir, Informer, Vecernje novosti, Politika and Danas, and photos from Web sites blic.rs and telegraf.rs. The method of content analysis was used to examine the representation of visual frames of violence, performance, legitimization and delegitimization, and social semiotics to analyze the content of frames. Results of our study show that the mediascape in Serbia is divided between outlets which positively represent protests and others which frequently use negative frames of violence and delegitimization. More than other frames, visual performance is linked with newsrooms' work routines and focuses on the visual attractiveness of the event, while legitimization and delegitimization frames reflect political bias and editorial policies of certain media outlets., U radu se polazi od teorije uokvirivanja i unutar nje formulisane paradigme o medijskom izveštavanju o protestima. Protesti se posmatraju kao višedimenzionalni fenomeni u kojima je vizuelni izraz važan kako tokom protesta, tako i u njegovoj kasnijoj masmedijskoj obradi. Cilj ovog rada je da doprinese razumevanju vizuelnog medijskog uokvirivanja protesta, na osnovu studije slučaja protesta Protiv diktature koji je organizovan u Srbiji posle predsedničkih izbora 2017. godine. Analizom je obuhvaćeno izveštavanje televizija RTS 1, B92, Pink i N1, štampanih izdanja Kurira, Informera, Večernjih novosti, Politike i Danasa, i sajtova Blic.rs, Telegraf.rs. Metodom analize sadržaja ispitana je zastupljenost vizuelnih okvira nasilja, performativnosti, legitimisanja i delegitimisanja, a iz ugla socijalne semiotike kvalitativno je analiziran sadržaj ovih okvira. Rezultati pokazuju da je medijska scena podeljena između medija koji proteste prikazuju pozitivno i onih koji frekventno koriste negativne okvire nasilja i delegitimisanja. Za vizuelni performativni okvir može se reći da više od ostalih odslikava rutinu rada redakcija i stavlja u fokus vizuelnu atraktivnost događaja, dok se okvir legitimisanja i delegitimisanja pre mogu pripisati političkoj pristrasnosti i uređivačkoj politici određenih medija.",
publisher = "Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd",
journal = "CM: Communication and Media",
title = "Visual framing of the protest Against the dictatorship, Vizuelno uokvirivanje protesta Protiv diktature",
pages = "92-57",
number = "44",
volume = "13",
doi = "10.5937/comman13-20797"
}

Krstić, A., Milojević, A.,& Kleut, J.. (2018). Visual framing of the protest Against the dictatorship. in CM: Communication and Media
Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd., 13(44), 57-92.
https://doi.org/10.5937/comman13-20797

Krstić A, Milojević A, Kleut J. Visual framing of the protest Against the dictatorship. in CM: Communication and Media. 2018;13(44):57-92.
doi:10.5937/comman13-20797 .

Krstić, Aleksandra, Milojević, Ana, Kleut, Jelena, "Visual framing of the protest Against the dictatorship" in CM: Communication and Media, 13, no. 44 (2018):57-92,
https://doi.org/10.5937/comman13-20797 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2017
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/607
AB  - This article questions and analyzes the concept of 'immersive' journalism, which has emerged from advanced technologies of augmented and virtual reality and which has already been changing the role of the media, journalism and audiences' experiences. Developed and applied in media and tech companies in the Western countries, this form of journalism represents one of the growing business models used by companies oriented towards improving and developing social networks, mobile platforms and multimedia online portals. Immersion of the audience into journalistic stories, which are upgraded by AR and VR technologies, represents the key change of our understanding, analyzing and representing the reality, and at the same time brings into question ethical and professional journalistic standards. Built on the growing body of academic scholarship and contemporary research in the field, this article critically examines the concept 'immersive' journalism and looks into relevant aspects of its theoretical foundations and practical implementation in the media industry and the university education of journalists.
AB  - U ovom radu se analizira koncept 'imerzivnog' novinarstva koji, na osnovu upotrebe tehnologija augmentovane i virtuelne stvarnosti, menja uloge novinara, tržište medija i iskustva publike. Ovaj vid novinarstva se razvija u medijskim organizacijama na Zapadu i predstavlja jedan od rastućih biznis modela kompanija koje, osim medija, u svom vlasništvu imaju i društvene mreže, mobilne platforme i multimedijalne portale. Medijske priče, nadograđene tehnološkim inovacijama augmentovane i virtuelne stvarnosti, treba da izazovu dublju uronjenost publike u takve sadržaje i ponude sasvim nova iskustva. Ta uronjenost u sadržaj predstavlja ključnu promenu u predstavljanju, raščlanjivanju i razumevanju stvarnosti u odnosu na tradicionalno novinarstvo, ali istovremeno nosi određene etičke i profesionalne dileme i otvara niz pitanja o menjanju uloge novinara i strukture redakcija. Na osnovu pregleda akademske literature i rezultata relevantnih istraživanja, ovaj rad kritički analizira koncept 'imerzivnog' novinarstva u svetskim medijima i posmatra ga kao jedan od ključnih izazova za medijsko tržište, novinarsku praksu i univerzitetsko obrazovanje budućih novinara.
PB  - Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd
T2  - CM: Communication and Media
T1  - Augmented and virtual reality in the media: Questioning the concept of 'immersive' journalism
T1  - Medijska upotreba augmentovane i virtuelne stvarnosti - problematizacija koncepta 'imerzivnog' novinarstva
EP  - 104
IS  - 41
SP  - 81
VL  - 12
DO  - 10.5937/comman12-15747
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2017",
abstract = "This article questions and analyzes the concept of 'immersive' journalism, which has emerged from advanced technologies of augmented and virtual reality and which has already been changing the role of the media, journalism and audiences' experiences. Developed and applied in media and tech companies in the Western countries, this form of journalism represents one of the growing business models used by companies oriented towards improving and developing social networks, mobile platforms and multimedia online portals. Immersion of the audience into journalistic stories, which are upgraded by AR and VR technologies, represents the key change of our understanding, analyzing and representing the reality, and at the same time brings into question ethical and professional journalistic standards. Built on the growing body of academic scholarship and contemporary research in the field, this article critically examines the concept 'immersive' journalism and looks into relevant aspects of its theoretical foundations and practical implementation in the media industry and the university education of journalists., U ovom radu se analizira koncept 'imerzivnog' novinarstva koji, na osnovu upotrebe tehnologija augmentovane i virtuelne stvarnosti, menja uloge novinara, tržište medija i iskustva publike. Ovaj vid novinarstva se razvija u medijskim organizacijama na Zapadu i predstavlja jedan od rastućih biznis modela kompanija koje, osim medija, u svom vlasništvu imaju i društvene mreže, mobilne platforme i multimedijalne portale. Medijske priče, nadograđene tehnološkim inovacijama augmentovane i virtuelne stvarnosti, treba da izazovu dublju uronjenost publike u takve sadržaje i ponude sasvim nova iskustva. Ta uronjenost u sadržaj predstavlja ključnu promenu u predstavljanju, raščlanjivanju i razumevanju stvarnosti u odnosu na tradicionalno novinarstvo, ali istovremeno nosi određene etičke i profesionalne dileme i otvara niz pitanja o menjanju uloge novinara i strukture redakcija. Na osnovu pregleda akademske literature i rezultata relevantnih istraživanja, ovaj rad kritički analizira koncept 'imerzivnog' novinarstva u svetskim medijima i posmatra ga kao jedan od ključnih izazova za medijsko tržište, novinarsku praksu i univerzitetsko obrazovanje budućih novinara.",
publisher = "Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd",
journal = "CM: Communication and Media",
title = "Augmented and virtual reality in the media: Questioning the concept of 'immersive' journalism, Medijska upotreba augmentovane i virtuelne stvarnosti - problematizacija koncepta 'imerzivnog' novinarstva",
pages = "104-81",
number = "41",
volume = "12",
doi = "10.5937/comman12-15747"
}

Krstić, A.. (2017). Augmented and virtual reality in the media: Questioning the concept of 'immersive' journalism. in CM: Communication and Media
Institut za usmeravanje komunikacija, Novi Sad i Univerzitet u Beogradu - Fakultet političkih nauka, Beograd., 12(41), 81-104.
https://doi.org/10.5937/comman12-15747

Krstić A. Augmented and virtual reality in the media: Questioning the concept of 'immersive' journalism. in CM: Communication and Media. 2017;12(41):81-104.
doi:10.5937/comman12-15747 .

Krstić, Aleksandra, "Augmented and virtual reality in the media: Questioning the concept of 'immersive' journalism" in CM: Communication and Media, 12, no. 41 (2017):81-104,
https://doi.org/10.5937/comman12-15747 . .

TY  - JOUR
AU  - Krstić, Aleksandra
PY  - 2017
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/906
AB  - U ovom radu se analizira koncept „imerzivnog“ novinarstva koji, na osnovu upotrebe tehnologija augmentovane i virtuelne stvarnosti, menja uloge novinara, tržište medija i iskustva publike. Ovaj vid novinarstva se razvija u medijskim organizacijama na Zapadu i predstavlja jedan od rastućih biznis modela kompanija koje, osim medija, u svom vlasništvu imaju i društvene mreže, mobilne platforme i multimedijalne portale. Medijske priče, nadograđene tehnološkim inovacijama augmentovane i virtuelne stvarnosti, treba da izazovu dublju uronjenost publike u takve sadržaje i ponude sasvim nova iskustva. Ta uronjenost u sadržaj predstavlja ključnu promenu u predstavljanju, raščlanjivanju i razumevanju stvarnosti u odnosu na tradicionalno novinarstvo, ali istovremeno nosi određene etičke i profesionalne dileme i otvara niz pitanja o menjanju uloge novinara i strukture redakcija. Na osnovu pregleda akademske literature i rezultata relevantnih istraživanja, ovaj rad kritički analizira koncept „imerzivnog“ novinarstva u svetskim medijima i posmatra ga kao jedan od ključnih izazova za medijsko tržište, novinarsku praksu i univerzitetsko obrazovanje budućih novinara.
AB  - his article questions and analyzes the concept of “immersive” journalism,
which has emerged from advanced technologies of augmented and virtual reality and which
has already been changing the role of the media, journalism and audiences’ experiences.
Developed and applied in media and tech companies in the Western countries, this form of
journalism represents one of the growing business models used by companies oriented towards improving and developing social networks, mobile platforms and multimedia online
portals. Immersion of the audience into journalistic stories, which are upgraded by AR and
VR technologies, represents the key change of our understanding, analyzing and representing
the reality, and at the same time brings into question ethical and professional journalistic
standards. Built on the growing body of academic scholarship and contemporary research in
the field, this article critically examines the concept “immersive” journalism and looks into
relevant aspects of its theoretical foundations and practical implementation in the media
industry and the university education of journalists.
PB  - Institut za usmeravanje komunikacija : Beograd
PB  - Fakultet političkih nauka : Beograd
T2  - CM: Communication and Media
T1  - Medijska upotreba augmentovane i virtuelne stvarnosti: problematizacija koncepta „imerzivnog“ novinarstva
T1  - Augmented and virtual reality in the media: Questioning the concept of “immersive” journalism
EP  - 104
IS  - 41
SP  - 81
VL  - 12
DO  - 10.5937/comman12-15747
ER  - 

@article{
author = "Krstić, Aleksandra",
year = "2017",
abstract = "U ovom radu se analizira koncept „imerzivnog“ novinarstva koji, na osnovu upotrebe tehnologija augmentovane i virtuelne stvarnosti, menja uloge novinara, tržište medija i iskustva publike. Ovaj vid novinarstva se razvija u medijskim organizacijama na Zapadu i predstavlja jedan od rastućih biznis modela kompanija koje, osim medija, u svom vlasništvu imaju i društvene mreže, mobilne platforme i multimedijalne portale. Medijske priče, nadograđene tehnološkim inovacijama augmentovane i virtuelne stvarnosti, treba da izazovu dublju uronjenost publike u takve sadržaje i ponude sasvim nova iskustva. Ta uronjenost u sadržaj predstavlja ključnu promenu u predstavljanju, raščlanjivanju i razumevanju stvarnosti u odnosu na tradicionalno novinarstvo, ali istovremeno nosi određene etičke i profesionalne dileme i otvara niz pitanja o menjanju uloge novinara i strukture redakcija. Na osnovu pregleda akademske literature i rezultata relevantnih istraživanja, ovaj rad kritički analizira koncept „imerzivnog“ novinarstva u svetskim medijima i posmatra ga kao jedan od ključnih izazova za medijsko tržište, novinarsku praksu i univerzitetsko obrazovanje budućih novinara., his article questions and analyzes the concept of “immersive” journalism,
which has emerged from advanced technologies of augmented and virtual reality and which
has already been changing the role of the media, journalism and audiences’ experiences.
Developed and applied in media and tech companies in the Western countries, this form of
journalism represents one of the growing business models used by companies oriented towards improving and developing social networks, mobile platforms and multimedia online
portals. Immersion of the audience into journalistic stories, which are upgraded by AR and
VR technologies, represents the key change of our understanding, analyzing and representing
the reality, and at the same time brings into question ethical and professional journalistic
standards. Built on the growing body of academic scholarship and contemporary research in
the field, this article critically examines the concept “immersive” journalism and looks into
relevant aspects of its theoretical foundations and practical implementation in the media
industry and the university education of journalists.",
publisher = "Institut za usmeravanje komunikacija : Beograd, Fakultet političkih nauka : Beograd",
journal = "CM: Communication and Media",
title = "Medijska upotreba augmentovane i virtuelne stvarnosti: problematizacija koncepta „imerzivnog“ novinarstva, Augmented and virtual reality in the media: Questioning the concept of “immersive” journalism",
pages = "104-81",
number = "41",
volume = "12",
doi = "10.5937/comman12-15747"
}

Krstić, A.. (2017). Medijska upotreba augmentovane i virtuelne stvarnosti: problematizacija koncepta „imerzivnog“ novinarstva. in CM: Communication and Media
Institut za usmeravanje komunikacija : Beograd., 12(41), 81-104.
https://doi.org/10.5937/comman12-15747

Krstić A. Medijska upotreba augmentovane i virtuelne stvarnosti: problematizacija koncepta „imerzivnog“ novinarstva. in CM: Communication and Media. 2017;12(41):81-104.
doi:10.5937/comman12-15747 .

Krstić, Aleksandra, "Medijska upotreba augmentovane i virtuelne stvarnosti: problematizacija koncepta „imerzivnog“ novinarstva" in CM: Communication and Media, 12, no. 41 (2017):81-104,
https://doi.org/10.5937/comman12-15747 . .

TY  - CONF
AU  - Milojević, Ana
AU  - Krstić, Aleksandra
AU  - Ugrinić, Aleksandra
PY  - 2016
UR  - http://rfpn.fpn.bg.ac.rs/handle/123456789/569
AB  - Currently, there is clear need for traditional journalism to redefine itself. The intention of this article is to portray the voices of future journalists in this quest. Therefore, Belgrade University journalism students were assigned to write down their contemplations about the journalism of tomorrow in essayistic form. In order to systematize their narratives, three theoretical understandings of journalism are introduced based on a literature review: journalism as a societal system, profession and culture. The essays were analyzed using quantitative and qualitative content and critical discourse analyses. The students' anticipated changes in journalism understood as a system, profession and culture are discussed, with a special focus on language, in order to deconstruct how students evaluate the future of journalism. Furthermore, the article shows how students perceive their role in redefining journalism.
PB  - Doron Fakultet Politickih Znanosti
C3  - Medijska Istrazivanja
T1  - The future of journalism as a system, profession and culture: The perception of journalism students
EP  - 105
IS  - 2
SP  - 83
VL  - 22
DO  - 10.22572/mi.22.2.5
ER  - 

@conference{
author = "Milojević, Ana and Krstić, Aleksandra and Ugrinić, Aleksandra",
year = "2016",
abstract = "Currently, there is clear need for traditional journalism to redefine itself. The intention of this article is to portray the voices of future journalists in this quest. Therefore, Belgrade University journalism students were assigned to write down their contemplations about the journalism of tomorrow in essayistic form. In order to systematize their narratives, three theoretical understandings of journalism are introduced based on a literature review: journalism as a societal system, profession and culture. The essays were analyzed using quantitative and qualitative content and critical discourse analyses. The students' anticipated changes in journalism understood as a system, profession and culture are discussed, with a special focus on language, in order to deconstruct how students evaluate the future of journalism. Furthermore, the article shows how students perceive their role in redefining journalism.",
publisher = "Doron Fakultet Politickih Znanosti",
journal = "Medijska Istrazivanja",
title = "The future of journalism as a system, profession and culture: The perception of journalism students",
pages = "105-83",
number = "2",
volume = "22",
doi = "10.22572/mi.22.2.5"
}

Milojević, A., Krstić, A.,& Ugrinić, A.. (2016). The future of journalism as a system, profession and culture: The perception of journalism students. in Medijska Istrazivanja
Doron Fakultet Politickih Znanosti., 22(2), 83-105.
https://doi.org/10.22572/mi.22.2.5

Milojević A, Krstić A, Ugrinić A. The future of journalism as a system, profession and culture: The perception of journalism students. in Medijska Istrazivanja. 2016;22(2):83-105.
doi:10.22572/mi.22.2.5 .

Milojević, Ana, Krstić, Aleksandra, Ugrinić, Aleksandra, "The future of journalism as a system, profession and culture: The perception of journalism students" in Medijska Istrazivanja, 22, no. 2 (2016):83-105,
https://doi.org/10.22572/mi.22.2.5 . .